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MY POWERFUL HAIR

A deeply moving and inspiring celebration of long hair and its significance in Indigenous cultures.

A Native girl reflects on hair, both her own and her family’s.

The young narrator’s Nokomis (Ojibwe for grandmother) and mother were not permitted to have long hair—her mother’s was deemed “too wild,” while Nokomis’ was shorn at a residential school. The phrase “Our ancestors say” repeats throughout as we learn that “stories and memories are woven” into the young narrator’s hair. Long Indigenous hair is a form of self-expression, honors ancestral knowledge, and is healing medicine, according to the ancestors. Littlebird’s (enrolled Confederated Tribes of Grand Ronde) bold art matches the power of We Are Water Protectors author Lindstrom’s (Anishinabe/Métis, enrolled Turtle Mountain Band of Ojibwe) words. Crisp, striking illustrations reminiscent of woodcuts celebrate life and depict characters’ connections to Mother Earth as leaves swirl and splashes of vibrant colors dance across pages like confetti. Parents, siblings, grandparents, cousins, and aunties are included, making for a loving portrayal of a tightknit extended Native family. The stages of the protagonist’s hair growth serve as a timeline of events: When Nimishoomis (grandfather) taught the child to fish, her hair reached her ears; when her brother was born, it was shoulder-length. When Nimishoomis dies, the young girl cuts her hair to send powerful energy into the spirit world with him. As the book ends, the child decides to regrow her hair, and so does her mother. (This book was reviewed digitally.)

A deeply moving and inspiring celebration of long hair and its significance in Indigenous cultures. (information on the importance of hair to Native/Indigenous peoples, Ojibwe glossary, author’s note) (Picture book. 5-11)

Pub Date: March 21, 2023

ISBN: 9781419759437

Page Count: 48

Publisher: Abrams

Review Posted Online: April 24, 2023

Kirkus Reviews Issue: May 15, 2023

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TUCK EVERLASTING

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. 

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it. 

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)

Pub Date: Nov. 1, 1975

ISBN: 0312369816

Page Count: 164

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2012

Kirkus Reviews Issue: Nov. 1, 1975

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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