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I LOVE MY ROBOT

From the Love Meez series

Look elsewhere for board books that don’t seek to confine children to stereotypes at the toddler stage.

A little boy celebrates his toy robot.

For readers named Henry whose favorite snuggle toys are robots, this may be the perfect board book—or it may just be another cloying offering in Church's Love Meez series. In rhyming first-person text, Henry, a precocious, white toddler with a mop of reddish-brown hair, describes his robot friend and the imaginary adventures they have together. The first page features a wheel to rotate with rainbow dots on the recto and coppery stars on the verso that glimmer as the wheel turns. A mirror on the next double-page spread lets children “see” themselves in the book. Tiny, tearable flaps hide the sounds Robot makes as he falls asleep. Irregular syllable counts make the rhyming text awkward to read aloud. Crucially, the book loses its toddler voice when the narrator says, “Although he's not a person, / Robot's my special friend, / The fun and games we have together / I know will never end.” I Love My Bunny, published simultaneously, follows the same format, with soft-touch bunny tail, scratch-and-sniff cookies, glittery bubbles, and a soft swatch of blanket on the last page. Both reinforce gender stereotypes: boys blast off with robot adventures, and girls host tea parties.

Look elsewhere for board books that don’t seek to confine children to stereotypes at the toddler stage. (Board book. 6 mos.-3)

Pub Date: Dec. 29, 2015

ISBN: 978-0-545-83593-0

Page Count: 10

Publisher: Cartwheel/Scholastic

Review Posted Online: Oct. 13, 2015

Kirkus Reviews Issue: Jan. 1, 2016

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CARPENTER'S HELPER

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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