Kennedy’s focus here is on sharing the classic poets with children, and she emphasizes the closeness and warmth that comes from using poems to spark memories of times spent together as a family. Divided into sections, the poems focus on the self, the silly, animals, seasons, the seashore, adventure and bedtime. Truly a collection that will grow with a child, some can be shared with the very young, others are better saved for later years. She includes a wide variety of styles and sources, voices old and new. Muth’s luminous full-bleed watercolors suit the poems perfectly, evoking emotions and sometimes deepening understanding. The poems on facing pages for the most part tie in nicely together, allowing the illustrations to flow across the divide. Foreign poems are included in their original languages—unfortunately not identified. While the actual collection is only so-so, there is excellence in illustration, Kennedy’s introductions and as a way of showing children that all poetry need not rhyme and be funny. (index of first lines) (Poetry. 4+)
Pub Date: Sept. 1, 2005
ISBN: 0-7868-5111-2
Page Count: 144
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2005
BOOK REVIEW
“It’s wise to stay clear / Of the dangerous cobra / All months of the year, / Including Octobra.” But it wouldn’t be wise to stay clear of Florian’s latest poetry collection, sixth in his successful series of witty poems and paintings about creatures of all sorts (Mammalabilia: Poems and Paintings, 2000, etc.). This volume includes 21 short poems about reptiles and amphibians, including common creatures such as the bullfrog and the box turtle and more exotic specimens such as the komodo dragon and the red-eyed tree frog. Teachers will like the way the rhyming poems integrate into elementary science lessons, imparting some basic zoological facts along with the giggles, and kids will love the poems because they’re clever and funny in a style reminiscent of Ogden Nash, full of wordplay and sly humor. Florian’s impressionistic full-page illustrations are done in watercolors on primed, brown paper bags, often offering another layer of humor, as in the orange newt reading the Newt News on the cover. A first choice for the poetry shelves in all libraries, this collection is toadally terrific. (Poetry. 4-10)
Pub Date: April 1, 2001
ISBN: 0-15-202591-X
Page Count: 48
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2001
Brooks’s gloriously universal celebration of African-American childhood here receives a respectful and joyous treatment from one of the pre-eminent illustrators of the same. Readers coming to “Narcissa,” “Beulah at Church” and “Marie Lucille” for the first time will discover them accompanied by Ringgold’s trademark folk-art interpretations, the expressive brown figures depicted for the most part as vignettes against bright backgrounds. They show a Bronzeville that bustles with activity, single-family homes sharing the streets with apartment buildings and the occasional vacant lot. The children run, braids and arms out straight, and contemplate in turns, their exuberance tempered by the solemnity of childhood. While it’s regrettable that occasionally the specificity of the illustration robs a verse of its universality—the “special place” referenced in “Keziah” is shown to be underneath the kitchen table, for instance—the overall ebullience of the images more than compensates. There is a drop of truth in every single playful, piercing stanza, and anything that brings these poems to a new audience is to be cheered; a lovely package indeed. (Picture book/poetry. 7+)
Pub Date: Jan. 1, 2007
ISBN: 0-06-029505-8
Page Count: 48
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2006
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