A tender Passover tale that will be especially meaningful for families who’ve lost cherished members.
A beloved relative’s presence is still felt.
The young narrator keenly misses Poppy—Grandpa—at Passover. The little one looks for him as the family gathers for the seder. Some things seem the same as everyone assembles for the holiday: “the same chasing cousins, the same squishy seats, the same goofy giggles.” But “it’s not Passover without Poppy,” the protagonist forlornly tells Mama. Mama reassures the child that Poppy is still here. So do Aunty and the child’s brother as the child repeatedly asks, “Where is Poppy?” The child recalls wonderful memories: Poppy’s secret for his spicy matzah ball soup (slipping a chili pepper into the broth), his “wide, wide, wide” smile, and how he presided over the seders. As the family members read from the Haggadah, sing joyous songs, and revel in the warm delight of celebrating as a family, the child realizes that Poppy is here in spirit and always will be. Though it’s never explicitly stated, readers are to assume Poppy has passed away. This is a delightful, though poignant, Passover read that reminds children that this festive spring holiday is about family unity and keeping traditions and memories alive. Charming and delicate pencil, gouache, and charcoal illustrations, finished digitally, rely on a limited palette; the narrator presents Asian, and the family is racially diverse. (This review was updated for factual accuracy.)
A tender Passover tale that will be especially meaningful for families who’ve lost cherished members. (author’s note, glossary) (Picture book. 5-8)Pub Date: Feb. 13, 2024
ISBN: 9781534489196
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: Dec. 16, 2023
Kirkus Reviews Issue: Jan. 15, 2024
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While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...
Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.
The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)Pub Date: Oct. 14, 2014
ISBN: 978-1-934133-57-6
Page Count: 32
Publisher: Mackinac Island Press
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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