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GIRLS IN TROUBLE

A sadly familiar tale by Leavitt (Coming Back to Me, 2001, etc.), though ably written in a straightforward style: likely to...

An open adoption goes awry, in an eighth outing by the Boston Globe columnist.

Bewildered by the experience of giving birth, 16-year-old Sara turns to her emotionally remote parents, Jack and Abby, for help—but they want nothing to do with their newborn granddaughter, Anne. George and Eva, the adoptive parents, at first welcome Sara into their home, hoping she will relinquish the baby in due time, but they become increasingly uneasy as the months go by and she doesn’t leave. The adoption is not yet final, however, and they don’t want to upset her. Then, panicked by the prospect of losing the only person on earth who truly belongs to her after Danny, the baby’s father, decamps, Sara takes Anne and runs, though she’s caught at the end of a long trip on a Greyhound bus. Her well-meaning parents intervene and she loses custody, going on to college in New York, a copywriting job, and a love affair with an architect. Sixteen years later, a chance meeting with Danny, happily married to an angelic woman now pregnant with his child, reawakens Sara’s hopes of a reunion with her daughter. She is shocked to find that he never actually signed the papers relinquishing his parental rights (his brother did); and further, that her father told Danny that she hated him and never wanted to see him again. Can a private detective find Anne? Switch to teenaged Anne’s POV: she’s a bright, lovable misfit who yearns to be a writer and endures the scathing comments of unfeeling teachers, obnoxious classmates, and her perpetually disappointed mother. She wonders idly why she’s so different, red hair and all, not knowing that she was adopted or anything about her birth mother. The moment of truth isn’t far off, happy endings awaiting all these troubled souls.

A sadly familiar tale by Leavitt (Coming Back to Me, 2001, etc.), though ably written in a straightforward style: likely to appeal to teenagers and their parents as well.

Pub Date: Jan. 1, 2004

ISBN: 0-312-27122-0

Page Count: 368

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2003

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TELL ME LIES

There are unforgettable beauties in this very sexy story.

Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 19, 2018

Kirkus Reviews Issue: April 1, 2018

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