One character’s coma is only the first surprise in this satisfying story of middle-aged love.
What if Snow White woke up and decided she didn’t much like Prince Charming?
Something like that happens in Leavitt's latest novel. New Yorkers Simon and Stella have been a couple since the heady days when his rock band was almost famous. Now in their 40s, he’s still chasing musical fame while Stella, a skilled and well-regarded nurse, supports them both and generally is the adult in the relationship. The night before they’re supposed to leave for a gig in California that might be his big break, they have a nasty argument, drink a lot of wine, and, despite Stella’s aversion to drug abuse, share an unidentified pill. In the morning, Simon wakes up and Stella doesn’t. Her coma lasts for several months. The middle section of the book alternates among Simon’s anguished guilt and devotion to caring for her, Stella’s hallucinatory experiences while comatose, and the reactions of Stella’s best friend, Libby, who is one of the doctors treating her. Libby had never liked Simon but is impressed with his dedication; unlucky in love herself, she’s drawn to him. Sparks fly, but their loyalty to Stella counters the attraction. Then the patient awakes, and, as can happen after comas, her personality is quite different. The old Stella was cautious and always played by the rules; the new one is restless, reckless, and emotionally distant. The only thing that calms her is art. Compulsive doodling turns into startlingly accomplished drawings—a talent she had never displayed before. People begin to commission her probing portraits; in the meantime, Simon, kicked out of his band because he stayed at Stella’s bedside, is a Lyft driver. And Libby keeps swearing she won’t see Simon anymore and then opening the door when he buzzes. Leavitt expands the characters with backstories that have a common thread: Stella, Simon, and Libby all felt severely rejected by their parents in childhood. The upheavals in their lives caused by Stella’s coma and its aftermath lead to the exposures of old secrets, healed wounds, and surprising futures.
One character’s coma is only the first surprise in this satisfying story of middle-aged love.Pub Date: Aug. 4, 2020
ISBN: 978-1-61620-779-3
Page Count: 288
Publisher: Algonquin
Review Posted Online: May 17, 2020
Kirkus Reviews Issue: June 1, 2020
Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.
Two brothers—one a lawyer, one a chess prodigy—work through the death of their father, their complicated romantic lives, and their even more tangled relationship with each other.
Ten years separate the Koubek brothers. In his early 30s, Peter has turned his past as a university debating champ into a career as a progressive lawyer in Dublin. Ivan is just out of college, struggling to make ends meet through freelance data analysis and reckoning with his recent free fall in the world chess rankings. When their father dies of cancer, the cracks in the brothers’ relationship widen. “Complete oddball” Ivan falls in love with an older woman, an arts center employee, which freaks Peter out. Peter juggles two women at once: free-spirited college student Naomi and his ex-girlfriend Sylvia, whose life has changed drastically since a car accident left her in chronic pain. Emotional chaos abounds. Rooney has struck a satisfying blend of the things she’s best at—sensitively rendered characters, intimacies, consideration of social and philosophical issues—with newer moves. Having the book’s protagonists navigating a familial rather than romantic relationship seems a natural next step for Rooney, with her astutely empathic perception, and the sections from Peter’s point of view show Rooney pushing her style into new territory with clipped, fragmented, almost impressionistic sentences. (Peter on Sylvia: “Must wonder what he’s really here for: repentance, maybe. Bless me for I have. Not like that, he wants to tell her. Why then. Terror of solitude.”) The risk: Peter comes across as a slightly blurry character, even to himself—he’s no match for the indelible Ivan—so readers may find these sections less propulsive at best or over-stylized at worst. Overall, though, the pages still fly; the characters remain reach-out-and-touch-them real.
Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.Pub Date: Sept. 24, 2024
ISBN: 9780374602635
Page Count: 464
Publisher: Farrar, Straus and Giroux
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
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