An intricate gem of a poetic debut.
Grace’s debut poetry collection ponders language and meaning.
“I wrote this book because I am interested in how meaning is created,” writes the author in her preface to this new collection. For this emerging poet, meaning is found in the mechanics of human language—specifically word choice and placement—and in the quest to make sense of oneself and the world. The collection is divided into nine sections bearing intriguing, unusual titles, including “Esemplastic,” “Limn,” and “Invariance.” Each section contains a series of poems without titles, numbered in roman numerals. Grace employs a range of poetic forms, from common meter to haiku and pantoums. Some poems contemplate how our relationships with others impact our own identity: “If you are the center of my map—where / am I?” Others consider the act of writing itself: “These marks are a compendium of miscellany / a narrative—translucent, pre-existing and replete.” At the close of some sections, the author includes a “Lyric Glossary” in which she poetically reexamines and reframes specific terms she has used. Grace’s poetry is laden with sensuous imagery: “Ignominious fruit of that garden / my carmine lips, your garnet desire.” The most compelling aspect of this ingenious body of verse is the poet’s determination to excavate ever deeper layers of meaning; Grace returns to the word carmine in her Lyric Glossary, recalling, “a rich red to crimson pigment…I bought a dress that made my skin look like cream and my hair look like amber. / I bought it so that your hands on my waist would look like intent—and they did.” The poet moves beyond cold definitions, adding not only personal significance to the term but pinning it to one intimate moment. She poignantly captures how meaning shifts with time: “a vivid red…I still own that dress. It is packed in a box with other things that don’t fit me anymore.” The poet also demonstrates notable technical prowess, as when priming a villanelle to deliver the powerfully philosophical, doubled-barreled refrain: “What arterial conspiracy was this, aromatic and dusty, rife with pulse and power? / The victor builds the world around himself, calls the edges nothing, the center a flower.” This is the work of an alarming talent.
An intricate gem of a poetic debut.Pub Date: May 2, 2023
ISBN: 9781945049354
Page Count: 168
Publisher: Shadelandhouse Modern Press
Review Posted Online: April 4, 2023
Kirkus Reviews Issue: June 1, 2023
Review Program: Kirkus Indie
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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