Lesser (Dig Hole, Soft Mole, 1996, etc.) uses poetic prose and vivid language to give splendor and life to a natural event. Rich in detail and carefully paced, the drama takes place in the Sonoran Desert of Arizona, where the first whispers of a desert storm arrive on a scorching wind, followed by a full fury as ``bony fingers of lightning strike, strike,'' and then by the hush of the sunset breeze in the cooling desert stillness. A wealth of desert creatures and plants are included in the text and illustrations: snakes, scorpions, tarantulas, elf owls, tortoises, coyotes, mule deer, jack rabbits, woodpeckers, as well as saguaro cacti, creosote bush, rattlesnake weed, and angel trumpets. Rand works in chalk, pastel, pencil, and watercolor, capturing nature with a masterful economy of line. The fluid watercolors are particularly evocative in displays of wind and driving rain. (Picture book/nonfiction. 6-12)
Pub Date: April 1, 1997
ISBN: 0-15-272198-3
Page Count: 40
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1997
Adventure, humor, and smart, likable characters make for a winning chapter book.
Ada Twist’s incessant stream of questions leads to answers that help solve a neighborhood crisis.
Ada conducts experiments at home to answer questions such as, why does Mom’s coffee smell stronger than Dad’s coffee? Each answer leads to another question, another hypothesis, and another experiment, which is how she goes from collecting data on backyard birds for a citizen-science project to helping Rosie Revere figure out how to get her uncle Ned down from the sky, where his helium-filled “perilous pants” are keeping him afloat. The Questioneers—Rosie the engineer, Iggy Peck the architect, and Ada the scientist—work together, asking questions like scientists. Armed with knowledge (of molecules and air pressure, force and temperature) but more importantly, with curiosity, Ada works out a solution. Ada is a recognizable, three-dimensional girl in this delightfully silly chapter book: tirelessly curious and determined yet easily excited and still learning to express herself. If science concepts aren’t completely clear in this romp, relationships and emotions certainly are. In playful full- and half-page illustrations that break up the text, Ada is black with Afro-textured hair; Rosie and Iggy are white. A closing section on citizen science may inspire readers to get involved in science too; on the other hand, the “Ode to a Gas!” may just puzzle them. Other backmatter topics include the importance of bird study and the threat palm-oil use poses to rainforests.
Adventure, humor, and smart, likable characters make for a winning chapter book. (Fiction. 6-9)Pub Date: April 16, 2019
ISBN: 978-1-4197-3422-9
Page Count: 144
Publisher: Amulet/Abrams
Review Posted Online: Jan. 27, 2019
Kirkus Reviews Issue: Feb. 15, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A variety show brimming with esoteric and practical information.
Two youngsters embark on a journey peppered with history, trivia, and skits while teaching money lessons.
Meet Mellody and John, the young stars of this currency showcase. Their very first dialogue offers a taste of the intriguing information to come, from the ancient Mayans’ use of cacao beans as payment to the origins of the piggy bank. The book offers a chronologically and geographically broad timeline of the history of money, encompassing the past 3.9 billion years (starting with meteorite crashes that scattered metals—“the very first bank deposit”) and referencing practices across five continents. Readers will find themselves eagerly sharing the facts gleaned here, including the centuries-old origins of terms and expressions still used today. Mellody and John’s fun banter crucially reflects their experiences with money, such as their families’ differing attitudes toward allowances. Both are savers as well as givers, sharing stories about giving to charity. In one especially entertaining section, a cat and a bunny converse in money-related catchphrases that are separately defined at the bottom of each page. Stevens’ watercolors are appropriately realistic and appealing, whether depicting Mellody’s pretend bank or Elizabeth II’s butler ironing a 10-pound note. Messages about money’s use as a means to an end, rather than an end in itself, ensure that readers will think about their own purposes for their savings. Mellody and John are Black.
A variety show brimming with esoteric and practical information. (index) (Nonfiction. 8-12)Pub Date: Oct. 1, 2024
ISBN: 9781536224719
Page Count: 80
Publisher: Candlewick
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
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