A well-presented consideration of a generations-long problem in education.
A manual for educators to decolonize their classrooms and put the focus on Indigenous cultures.
The author—a direct descendant of Chief Hunter Jack of the N’Quat’qua Nation and a former elementary school principal for the Squamish nation—is a proponent of re-storying education in Canada, which she describes as “a process of dismantling old narratives to rebuild and re-story new narratives to include historically silenced voices in education, to make space for all stories of this place to be told.” Her book is aimed at educators, encouraging them to teach Indigenous history and interact with Indigenous students more authentically. To do this, she argues, educators need to unlearn the colonial framework of education. The book’s eight chapters include a history of how the public education system has failed the Indigenous people (and how to correct that failing), a discussion of how colonialism is manifested in the classroom, and a plan for assessing how these changes are being implemented. The chapter titled “Journey through Education,” in particular, is full of useful information from the author’s personal memories of an education that served to reinforce the colonial point of view to arguments for more Indigenous representation in school curricula to ways in which the grade-school curricula need to be revamped and updated. (This chapter also tackles weighty topics about representation and racism in the classroom.) This is all very heavy material, but the author doesn’t get bogged down. The structure of each chapter—including musical playlists to listen to as you read, a handful of questions for reflection, and a handy list of resources—makes for an easy read, one that not only explores the problems it raises but also offers a range of solutions. All of this combines to give the reader a thorough look at what the author finds lacking in the Canadian education system and the steps that can be taken to help correct it.
A well-presented consideration of a generations-long problem in education.Pub Date: Sept. 10, 2024
ISBN: 9781774584965
Page Count: 224
Publisher: Page Two
Review Posted Online: Aug. 1, 2024
Kirkus Reviews Issue: Sept. 15, 2024
Review Program: Kirkus Indie
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.
Portraits in a post-pandemic world.
After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.Pub Date: Oct. 7, 2025
ISBN: 9781250277589
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Aug. 1, 2025
Kirkus Reviews Issue: Sept. 1, 2025
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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