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WELCOME TO JAZZ

A SWING-ALONG CELEBRATION OF AMERICA'S MUSIC, FEATURING "WHEN THE SAINTS GO MARCHING IN"

A swinging invitation to get into the groove.

A slide through the foundational instruments and elements of jazz, with push-button sound clips.

Three cats (of the feline sort) get hep (“This music makes me wanna dance in my seat!” “That’s because it’s got a great groove.” “It sure does. Wait! What’s a groove?”) as they take in a jazz combo on a club stage and then follow the music out onto the street. Sloan (Welcome to the Symphony, 2015) fills in the bass line with historical notes, covering the development of jazz as “an African American art form” from early days in New Orleans’ Congo Square to the arrival of Louis Armstrong, and explaining important terms such as “improvisation” and “scat singing.” Prompts in the narrative lead readers to a dozen short clips taken from an original recording of “When the Saints Go Marching In.” Buttons that trigger the clips are lined up to the side and produce isolated flurries from select instruments, a snatch of clarinet solo, a bit of voiced scat, and a few seconds of the main theme as an effervescent instrumental and also with call-and-response lyrics. A portrait gallery in one cartoon illustration that gives nods to five early jazz greats (all, like the fictive modern band on stage, African American) is backed up at the end with a limited but at least somewhat more expansive playlist of classic tracks for further listening, though caregivers who want to introduce kids to bebop and other later styles are on their own.

A swinging invitation to get into the groove. (glossary) (Informational novelty. 6-9)

Pub Date: Oct. 15, 2019

ISBN: 978-1-5235-0688-0

Page Count: 32

Publisher: Workman

Review Posted Online: Oct. 8, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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BASKETBALL DREAMS

Blandly inspirational fare made to evoke equally shrink-wrapped responses.

An NBA star pays tribute to the influence of his grandfather.

In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)

Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)

Pub Date: Jan. 10, 2023

ISBN: 978-1-250-81003-8

Page Count: 32

Publisher: Roaring Brook Press

Review Posted Online: Sept. 27, 2022

Kirkus Reviews Issue: Oct. 15, 2022

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JUST LIKE JESSE OWENS

A pivotal moment in a child’s life, at once stirring and authentically personal.

Before growing up to become a major figure in the civil rights movement, a boy finds a role model.

Buffing up a childhood tale told by her renowned father, Young Shelton describes how young Andrew saw scary men marching in his New Orleans neighborhood (“It sounded like they were yelling ‘Hi, Hitler!’ ”). In response to his questions, his father took him to see a newsreel of Jesse Owens (“a runner who looked like me”) triumphing in the 1936 Olympics. “Racism is a sickness,” his father tells him. “We’ve got to help folks like that.” How? “Well, you can start by just being the best person you can be,” his father replies. “It’s what you do that counts.” In James’ hazy chalk pastels, Andrew joins racially diverse playmates (including a White child with an Irish accent proudly displaying the nickel he got from his aunt as a bribe to stop playing with “those Colored boys”) in tag and other games, playing catch with his dad, sitting in the midst of a cheering crowd in the local theater’s segregated balcony, and finally visualizing himself pelting down a track alongside his new hero—“head up, back straight, eyes focused,” as a thematically repeated line has it, on the finish line. An afterword by Young Shelton explains that she retold this story, told to her many times growing up, drawing from conversations with Young and from her own research; family photos are also included. (This book was reviewed digitally.)

A pivotal moment in a child’s life, at once stirring and authentically personal. (illustrator’s note) (Autobiographical picture book. 7-9)

Pub Date: Aug. 2, 2022

ISBN: 978-0-545-55465-7

Page Count: 40

Publisher: Scholastic

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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