A sensitive exploration of an untidy, meaningful existence.
A portrait of a man whose life comprised a love of nature and poetry.
William Stanley Merwin (1927-2019) grew up in a town where everything was “straightened out” by the boundaries of homes and roads. Even as a boy, he yearned for wilderness and was fortunate to spend summers vacationing in a cabin in the woods. Merwin also enjoyed composing poems; he found that “writing poetry was like visiting a wild place…[with] language growing wherever it pleased.” Fountain omits the years Merwin spent with his first two wives in Spain and London and fast-forwards to Hawaii. There, instead of the wild land he sought, he purchased a “wounded” space, “stripped of all its rich, dark soil.” He lived in a sustainable home with his third wife and started growing palm trees, eventually planting almost 3,000, including endangered varieties sent from around the world. Fountain leans toward longer sentences, layering ideas with metaphors to effectively convey Merwin’s hope and curiosity. The digital illustrations are reminiscent of Aaron Douglas paintings; many of the compositions contain purple and green silhouettes of people and overlapping branches with varying degrees of saturation to create a sense of depth. Darker, leafy branches border many of the compositions. The White poet/gardener stayed involved with both passions, ultimately donating his land to a conservancy and becoming the United States Poet Laureate. (This book was reviewed digitally.)
A sensitive exploration of an untidy, meaningful existence. (author’s note, poem) (Picture book/biography. 5-8)Pub Date: Sept. 13, 2022
ISBN: 978-1-5362-1126-9
Page Count: 32
Publisher: Candlewick
Review Posted Online: July 12, 2022
Kirkus Reviews Issue: Aug. 1, 2022
BOOK REVIEW
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
A picture book more than worthy of sharing the shelf with Alan Schroeder and Jerry Pinkney’s Minty (1996) and Carole Boston...
A memorable, lyrical reverse-chronological walk through the life of an American icon.
In free verse, Cline-Ransome narrates the life of Harriet Tubman, starting and ending with a train ride Tubman takes as an old woman. “But before wrinkles formed / and her eyes failed,” Tubman could walk tirelessly under a starlit sky. Cline-Ransome then describes the array of roles Tubman played throughout her life, including suffragist, abolitionist, Union spy, and conductor on the Underground Railroad. By framing the story around a literal train ride, the Ransomes juxtapose the privilege of traveling by rail against Harriet’s earlier modes of travel, when she repeatedly ran for her life. Racism still abounds, however, for she rides in a segregated train. While the text introduces readers to the details of Tubman’s life, Ransome’s use of watercolor—such a striking departure from his oil illustrations in many of his other picture books—reveals Tubman’s humanity, determination, drive, and hope. Ransome’s lavishly detailed and expansive double-page spreads situate young readers in each time and place as the text takes them further into the past.
A picture book more than worthy of sharing the shelf with Alan Schroeder and Jerry Pinkney’s Minty (1996) and Carole Boston Weatherford and Kadir Nelson’s Moses (2006). (Picture book/biography. 5-8)Pub Date: Nov. 7, 2017
ISBN: 978-0-8234-2047-6
Page Count: 32
Publisher: Holiday House
Review Posted Online: Aug. 6, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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