This friendly volume, told in the first person and directly addressing readers, is sure to encourage the perfectionist...
This encouraging and amusing faux notebook will have many nervous artists picking up their own pens and pencils.
Author Fagan, posing as his boyhood self, wants to be a boy who can draw. Like many, he is endlessly critical of his talent as an artist. He tries with little success to draw a self-portrait and a still life but realizes that he should try to draw things he likes. Soon he realizes he can draw birds, ice cream cones, exploding stars and even a movie star riding a bike. Simple black-and-white illustrations, often broken down to their component parts for the aspiring but nervous artist, make drawing look simple and enjoyable. Humor is the order of the day, especially when Cary imagines (and draws) a dragon attacking his home. Children are often asked to illustrate their stories in school, and many kids lack confidence. While some art teachers might object to any instruction that encourages young artists to draw from a formula rather than from their hearts, classroom teachers will celebrate any book that encourages the paralyzed would-be illustrator to move on from stick figures.
This friendly volume, told in the first person and directly addressing readers, is sure to encourage the perfectionist artist and wannabe cartoonist alike. Draw on! (Informational picture book. 4-10)Pub Date: May 13, 2014
ISBN: 978-1-55498-318-6
Page Count: 32
Publisher: Groundwood
Review Posted Online: March 30, 2014
Kirkus Reviews Issue: April 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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