Equally suitable as a read-aloud or as a choice for independent reading, this short chapter book will please animal...
An adventurous girl finds an escaped circus lion in 1925 Toronto.
Sadie Menken lives with her father, a pie maker, and their boarder, Miss Clemons, a savvy retired librarian and inveterate clipper of newspaper articles. Sadie loves nearby High Park, with its natural areas, but doesn’t get to play there often because she delivers her father’s pies after school. Her last daily stop is to a house inhabited by a wealthy family. Their young son, usually left at home while his parents travel, finally makes Sadie’s acquaintance. Not-so-courageous Theo Junior becomes Sadie’s confidant (and supplier of steaks) when she finds the lion in the park and begins to feed him late each night. Contemporary kids may wonder about Sadie’s and Theo Junior’s relative freedom, but the narrator explains: “Ninety years ago, when these events occurred, parents didn’t worry so much about children being outside on their own.” The accessible, humorous storytelling voice, its sketch of life in an earlier time, and the premise of a wild beast who calms down with good food and caring friends all combine to make this short chapter book an excellent read. The book assumes a white default.
Equally suitable as a read-aloud or as a choice for independent reading, this short chapter book will please animal enthusiasts and readers of tales about brave girls alike. (Historical fiction. 6-9)Pub Date: May 1, 2018
ISBN: 978-1-55498-999-7
Page Count: 128
Publisher: Groundwood
Review Posted Online: March 17, 2018
Kirkus Reviews Issue: April 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for...
A gentle voice and familiar pitfalls characterize this tale of a boy navigating the risky road to responsibility.
Gavin is new to his neighborhood and Carver Elementary. He likes his new friend, Richard, and has a typically contentious relationship with his older sister, Danielle. When Gavin’s desire to impress Richard sets off a disastrous chain of events, the boy struggles to evade responsibility for his actions. “After all, it isn’t his fault that Danielle’s snow globe got broken. Sure, he shouldn’t have been in her room—but then, she shouldn’t be keeping candy in her room to tempt him. Anybody would be tempted. Anybody!” opines Gavin once he learns the punishment for his crime. While Gavin has a charming Everyboy quality, and his aversion to Aunt Myrtle’s yapping little dog rings true, little about Gavin distinguishes him from other trouble-prone protagonists. He is, regrettably, forgettable. Coretta Scott King Honor winner English (Francie, 1999) is a teacher whose storytelling usually benefits from her day job. Unfortunately, the pizzazz of classroom chaos is largely absent from this series opener.
This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for subsequent volumes. (Fiction. 6-9)Pub Date: Dec. 17, 2013
ISBN: 978-0-547-97044-8
Page Count: 128
Publisher: Clarion Books
Review Posted Online: Oct. 1, 2013
Kirkus Reviews Issue: Oct. 15, 2013
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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