by Cass R. Sunstein ‧ RELEASE DATE: Feb. 9, 2021
A provocative examination of social constructs and those who would alternately undo or improve them.
An excursus in the realm of the normal and normative and how we define them.
Covid-19, Donald Trump, cyberwarfare: All these are signs that things are not “normal.” But what does normality constitute? Norms, writes Harvard Law School professor Sunstein, are generally if sometimes loosely agreed upon guidelines that govern our behavior. We agree, by consensus and often by law, that one should not smoke in church or call 911 to report a leaking spigot. But what happens when a norm iconoclast comes into the picture? Among other things, the elevation of Trump to national power “weakened the social norm against supporting anti-immigrant groups,” and it freed many Americans to spout the vilest of sentiments. “When norms begin to loosen, people start to say what they actually think,” Sunstein adds, and what they think can be quite awful. Norms can be positively constructed, though. The author notes that the arrival of the pandemic has put new practices in place that forgo handshaking and promote hand-washing instead. Authoritarians can be what Sunstein calls “norm entrepreneurs,” but then again, so can the democratically minded, leading to the common situation where one person’s norm is another person’s form of oppression. Sunstein takes a long look at institutions that are meant to uphold democratic norms. In an especially inspired moment, he rejects Winston Churchill’s notion that democracy is the worst form of government save for all the others and instead upholds it at least in part because the citizenry establishes normative behavior. By virtue of that fact, norms can come and go for better (civil rights for all) or worse (cancel culture), leading Sunstein to conclude, “An appreciation of the paradox—the simultaneous power and fragility of the normal—attests to one fact above all: human beings are astonishingly resilient.”
A provocative examination of social constructs and those who would alternately undo or improve them.Pub Date: Feb. 9, 2021
ISBN: 978-0-300-25350-4
Page Count: 208
Publisher: Yale Univ.
Review Posted Online: Dec. 14, 2020
Kirkus Reviews Issue: Jan. 1, 2021
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by Omar El Akkad ‧ RELEASE DATE: Feb. 25, 2025
A philosophically rich critique of state violence and mass apathy.
An Egyptian Canadian journalist writes searchingly of this time of war.
“Rules, conventions, morals, reality itself: all exist so long as their existence is convenient to the preservation of power.” So writes El Akkad, who goes on to state that one of the demands of modern power is that those subject to it must imagine that some group of people somewhere are not fully human. El Akkad’s pointed example is Gaza, the current destruction of which, he writes, is causing millions of people around the world to examine the supposedly rules-governed, democratic West and declare, “I want nothing to do with this.” El Akkad, author of the novel American War (2017), discerns hypocrisy and racism in the West’s defense of Ukraine and what he views as indifference toward the Palestinian people. No stranger to war zones himself—El Akkad was a correspondent in Afghanistan and Iraq—he writes with grim matter-of-factness about murdered children, famine, and the deliberate targeting of civilians. With no love for Zionism lost, he offers an equally harsh critique of Hamas, yet another one of the “entities obsessed with violence as an ethos, brutal in their treatment of minority groups who in their view should not exist, and self-decreed to be the true protectors of an entire religion.” Taking a global view, El Akkad, who lives in the U.S., finds almost every government and society wanting, and not least those, he says, that turn away and pretend not to know, behavior that we’ve seen before and that, in the spirit of his title, will one day be explained away until, in the end, it comes down to “a quiet unheard reckoning in the winter of life between the one who said nothing, did nothing, and their own soul.”
A philosophically rich critique of state violence and mass apathy.Pub Date: Feb. 25, 2025
ISBN: 9780593804148
Page Count: 224
Publisher: Knopf
Review Posted Online: Dec. 14, 2024
Kirkus Reviews Issue: Jan. 15, 2025
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by Alok Vaid-Menon ‧ RELEASE DATE: June 2, 2020
A fierce, penetrating, and empowering call for change.
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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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by Shavone Charles ; illustrated by Ashley Lukashevsky
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