THE LIBRARY AT HELLEBORE

What happens when students at a school for the paranormal decide that enough is enough?

Best known for video games, queer horror, and a collaboration with Richard Kadrey (The Dead Take the A Train, 2023), Khaw detours to visit an elite school and the damaged young adults it serves. At 21, Alessa Li wakes up with a start to find she’s been kidnapped from home in Montreal and apparently enrolled in college, simply because she’s incredibly dangerous. In fact, the Hellebore Technical Institute for the Ambitiously Gifted is less an homage to Hogwarts than a gory rebuttal dressed in wizard’s robes. The story moves between two timelines; the first offers Alessa’s introduction to her creepy classmates, while the second finds them all under siege later in the titular library. “Appendage to the main campus, it acted only in the faculty’s interest, which seemed to revolve exclusively around fucking us students over,” Alessa explains. Among the 20-odd students, cult member Portia transmogrifies into some kind of insectoid critter every now and then; Eoan sacrifices himself by feeding his own body to the school’s ravenous hosts in order to protect his friends; Delilah is an “immortal sacrifice,” dying over and over again in the service of the gods; while Rowan is a “deathworker” whose destiny is foretold by prophecy. There are some intriguing elements—and it’s often hard to take. Like other postmodern antiheroines, among them Chuck Wendig’s Miriam Black (Blackbirds, 2015, etc.) and Julie Crews from The Dead Take the A Train, Alessa’s primary operating mode is pretty much caustic bitch, and her classmates don’t temper it much. Whether the deadpan violence and body horror is excessive is a matter of personal taste, but there’s no denying that the whole thing is pretty squelchy and it’s not always easy to follow. Proceed with caution.

A secret history that toys with the mythos of dark academia while reveling in its excesses.