Good entertainment with some unexpected depth.
A well-done exploration of a teen’s growing understanding of death, even though she herself has died five times.
Daisy lives with two agents from the ultra-secret Revive project. Revive is a drug that can bring people back from the dead, and Daisy was first revived after she died with 20 other children in a bus accident. Severely allergic to bees, she’s stung and dies again, forcing the “family” to relocate to Omaha with a different last name. Daisy wants to stay in Omaha after she meets Audrey, a girl who quickly becomes a real friend, and Audrey’s brother Matt, to whom Daisy finds herself irresistibly attracted. But Daisy learns that Audrey has terminal cancer, and she knows that Revive can’t help her friend. Although the story turns suspenseful when Daisy discovers a previously unknown Revive case, the overriding thrust is its examination of human emotions. Once Audrey dies, Daisy must confront the reality of death, no matter her own experience. Patrick writes an easily readable story that moves well and populates it with attractive characters. The added dimension of Audrey’s real, irreversible death contrasting with Daisy’s experience gives the story more gravity than the usual suspense fare.
Good entertainment with some unexpected depth. (Science fiction. 12 & up)Pub Date: May 8, 2012
ISBN: 978-0-316-09462-7
Page Count: 352
Publisher: Little, Brown
Review Posted Online: March 6, 2012
Kirkus Reviews Issue: April 1, 2012
Raw, delicate, and deeply caring.
When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.
In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.
Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)Pub Date: May 6, 2025
ISBN: 9780063240858
Page Count: 720
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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