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WHAT THE DOG KNOWS

Name: WHAT THE DOG KNOWS
Author: Cat Warren
ISBN: 978-1-4516-6731-8

THE SCIENCE AND WONDER OF WORKING DOGS

by Cat Warren ‧ RELEASE DATE: Oct. 1, 2013

Warren writes with verve and provides rare insight into our working partnership with canines.

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How adopting a German shepherd puppy turned out to be life-changing for Warren (Science Journalism/North Carolina State Univ.).

Having hoped that her new puppy would become a replacement for the companionship of a recently deceased dog, she was dismayed by the aggressive, rambunctious new addition, Solo, who could turn into an uncontrollable, snarling, biting “Tasmanian devil.” After two months, even though she was at her wits' end, she didn't want to give up on the puppy, who, despite it all, was “funny and charming” and clearly very intelligent. Warren appealed for help from the trainer who had worked with Solo's predecessor. The trainer suggested that he had the makings of a cadaver dog, a working dog used to locate missing people presumed dead. His aggression could be channeled by the demands of the search and the rewards of success. For Warren, the task of training and handling became the “rare perfection of that human and canine partnership…[which entailed]...the intense physical and mental challenge of stripping a search to its essential elements.” Warren chronicles how she and Solo each learned their jobs so that they could become effective volunteer members of criminal investigations. She had to teach him to perfect his ability to assess odors but also to deal with electric fences, swim rivers and push through undergrowth while ignoring distractions. Her responsibility was to guide Solo, as he alerted her to being in the vicinity of a target, by judging the effects of intangibles such as wind and temperature. She also had to train herself to tolerate gruesome crime scenes and dangerous environments while maintaining Solo's enthusiasm for the chase.

Warren writes with verve and provides rare insight into our working partnership with canines.

Pub Date: Oct. 1, 2013

ISBN: 978-1-4516-6731-8

Page Count: 352

Publisher: N/A

Review Posted Online: Aug. 2, 2013

Kirkus Reviews Issue: Aug. 15, 2013

Categories:

GENERAL NONFICTION

- BOOK REVIEW
WHAT THE DOG KNOWS YOUNG READERS EDITION
by Cat Warren ; illustrated by Patricia J. Wynne

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.