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THE SECRET ROOMS

A TRUE STORY OF A HAUNTED CASTLE, A PLOTTING DUCHESS, AND A FAMILY SECRET

A compelling exposé on the once-almighty laws of ducal inheritance.

A British documentary producer and historian creates a bang-up detective story around mysterious gaps in the archives chronicling the sad tale of the ninth Duke of Rutland.

The master of the Belvoir Castle, commanding thousands of acres and priceless treasures dating from the 11th century, the Duke of Rutland—John Henry Montagu Manners—died of pneumonia in the bowels of his keep in April 1940, not long after a top-secret convoy of royal documents was delivered to the castle for safekeeping during the war. Bailey is truly a dogged detective in getting at the essential questions surrounding the reclusive duke’s labored death: What was he so keen on finishing before he would give up the ghost? An obsessive archivist, he had spent the last decades of his life carefully sifting through and cataloging the records pertaining to his family history, even before King George VI had sanctioned the evacuation of important national documents to the castle. In 2008, Bailey was allowed access to the duke’s private sanctuary, which had been sealed after his death. In her tireless digging, she discovered three important omissions of material encompassing three distinct dates in John’s life: August 1894, when he was 8 and his older brother, then heir to the dukedom, suddenly took ill and died; June 1909, when he was 22 and corresponding with his uncle in cipher about his father, who had attempted to sell off his inheritance; and, finally, during much of 1915, when he was supposed to be serving on the western front but instead returned home to Belvoir at the instigation of his mother. What Bailey essentially uncovers is an entire moribund way of life in the great aristocratic families and the shockingly self-serving privilege put before the sense of national purpose.

A compelling exposé on the once-almighty laws of ducal inheritance.

Pub Date: Jan. 1, 2014

ISBN: 978-0-14-312473-3

Page Count: 464

Publisher: Penguin

Review Posted Online: Sept. 30, 2013

Kirkus Reviews Issue: Oct. 15, 2013

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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