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WASTE

ONE WOMAN’S FIGHT AGAINST AMERICA’S DIRTY SECRET

A useful primer on why America’s treatment of raw sewage doesn’t pass the smell test.

An environmental activist with the Equal Justice Initiative exposes an alarming rate of hookworm in an Alabama county with inadequate wastewater management.

Imagine that your septic system fails after you lost your job because of Covid-19 or another disaster. Your yard turns into a sewer, and you don’t have thousands of dollars for a new tank. Flowers shows that if your state enforces laws that criminalize the failure to maintain a legal septic tank, you could also get arrested. She sees such tragedies frequently among the mostly poor, Black residents of Lowndes County, where “an estimated 90 percent of households have failing or inadequate wastewater systems.” In an imperfect blend of memoir and reporting, the author recalls her years of work to ease conditions so unsanitary a U.N. official said he hadn’t seen them “in the first world.” With admirable tenacity, Flowers cultivated reporters; got help from Jane Fonda; took Cory Booker to visit a man whose backyard “held a pit full of waste piped straight from his toilet”; and persuaded Baylor doctors to conduct a study of the region, which found that 34.5% of tested residents had hookworm, a disease of poor sanitation that many people thought the U.S. had eradicated. Similarly dire sewage problems, she shows, exist in places from Appalachia to the San Joaquin Valley. In a largely chronological narrative, Flowers tends to present facts in the order in which she learned them—not when readers most need to know them—and slows the pace with overlong digressions into her earlier years and unedifying passages on topics such as “turning lemons into lemonade” and the effect of Jonathan Livingston Seagull on her life. The urgent message of the book, however, transcends its writing lapses, and it should raise much-needed awareness of a public health catastrophe.

A useful primer on why America’s treatment of raw sewage doesn’t pass the smell test.

Pub Date: Nov. 17, 2020

ISBN: 978-1-62097-608-1

Page Count: 256

Publisher: The New Press

Review Posted Online: Aug. 24, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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ONE DAY, EVERYONE WILL HAVE ALWAYS BEEN AGAINST THIS

A philosophically rich critique of state violence and mass apathy.

An Egyptian Canadian journalist writes searchingly of this time of war.

“Rules, conventions, morals, reality itself: all exist so long as their existence is convenient to the preservation of power.” So writes El Akkad, who goes on to state that one of the demands of modern power is that those subject to it must imagine that some group of people somewhere are not fully human. El Akkad’s pointed example is Gaza, the current destruction of which, he writes, is causing millions of people around the world to examine the supposedly rules-governed, democratic West and declare, “I want nothing to do with this.” El Akkad, author of the novel American War (2017), discerns hypocrisy and racism in the West’s defense of Ukraine and what he views as indifference toward the Palestinian people. No stranger to war zones himself—El Akkad was a correspondent in Afghanistan and Iraq—he writes with grim matter-of-factness about murdered children, famine, and the deliberate targeting of civilians. With no love for Zionism lost, he offers an equally harsh critique of Hamas, yet another one of the “entities obsessed with violence as an ethos, brutal in their treatment of minority groups who in their view should not exist, and self-­decreed to be the true protectors of an entire religion.” Taking a global view, El Akkad, who lives in the U.S., finds almost every government and society wanting, and not least those, he says, that turn away and pretend not to know, behavior that we’ve seen before and that, in the spirit of his title, will one day be explained away until, in the end, it comes down to “a quiet unheard reckoning in the winter of life between the one who said nothing, did nothing, and their own soul.”

A philosophically rich critique of state violence and mass apathy.

Pub Date: Feb. 25, 2025

ISBN: 9780593804148

Page Count: 224

Publisher: Knopf

Review Posted Online: Dec. 14, 2024

Kirkus Reviews Issue: Jan. 15, 2025

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ELON MUSK

Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.

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A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.

To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.

Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.

Pub Date: Sept. 12, 2023

ISBN: 9781982181284

Page Count: 688

Publisher: Simon & Schuster

Review Posted Online: Sept. 12, 2023

Kirkus Reviews Issue: Oct. 15, 2023

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