by Catherine Lazar Odell ; illustrated by Catherine Lazar Odell ‧ RELEASE DATE: March 19, 2019
This is the book about skateboarding female rabbits you didn’t know you were missing.
The titular rabbits model tender, generous friendship in Odell’s (I’m Done!, by Gretchen Brandenberg McClellan, 2018) authorial debut.
Best friends Pepper, a white rabbit with one black ear, and Frannie, a flamboyantly outfitted brown rabbit, both girls, love having adventures. Pepper’s idea of a good adventure, however, involves plans, maps, and precision, while Frannie revels in spontaneity. Refreshingly, each friend’s outlook, interests, and impeccable personal style are presented as equally valid, showing (rather than telling) that there’s no one right way to be a girl. When Frannie misses the bus to the Wheels in the Woods skateboarding festival, a helmeted Pepper saves the day with a ride on her motorcycle, then reveals that she’s reluctant to try skateboarding herself. With Frannie’s persistent encouragement, emphasized via faux hand-lettered speech bubbles, Pepper eventually does—with pleasantly surprising results. Sparse lines of text give the mixed-media illustrations an equal role in the storytelling; despite the bold contrast of black text on bright white pages, the text and pacing maintain a sweet, playful tone alongside soft, painterly organic shapes dominated by shades of green and pink. Delightful details abound, from Pepper’s expressions of concentration as she tries “again, and again” to Frannie’s leopard-spotted skating outfit.
This is the book about skateboarding female rabbits you didn’t know you were missing. (Picture book. 3-8)Pub Date: March 19, 2019
ISBN: 978-1-62414-660-2
Page Count: 32
Publisher: Page Street
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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by Sybil Rosen ; illustrated by Camille Garoche ‧ RELEASE DATE: March 16, 2021
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
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by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Riel Nason ; illustrated by Byron Eggenschwiler
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