“For me, that was the time in history and the event to participate in above all others.” That comment, from one of the 400,000 involved in the team effort to put men on the moon in 1969, sums up the essence of this dramatic account of the work of people behind the scenes in the Apollo program. Illustrated with striking black-and-white photos, the white text on a black background of each page underscores the risk of this venture into the unknown. Beginning with Nixon’s just-in-case prepared announcement of the astronaut’s “sacrifice,” the author presents the expedition as a series of challenges, including surprising details. Not all the challenges were directly related to the voyage: a windstorm in Australia threatened television transmission; photographs had to be perfect and the film disinfected (of nonexistent bacteria) before it was developed. The authors emphasizes the paper-and-pencil calculations, the endless testing and checking, and elaborate recordkeeping that supported this work, and the sense of personal responsibility each participant felt. This beautiful and well-documented tribute will introduce a new generation to that triumphant time. (author’s note, resources, bibliography, glossary) (Nonfiction. 10+)
Pub Date: June 26, 2006
ISBN: 0-618-50757-4
Page Count: 80
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2006
Remarking that ``nothing about the weather is very simple,'' Simon goes on to describe how the sun, atmosphere, earth's rotation, ground cover, altitude, pollution, and other factors influence it; briefly, he also tells how weather balloons gather information. Even for this outstanding author, it's a tough, complex topic, and he's not entirely successful in simplifying it; moreover, the import of the striking uncaptioned color photos here isn't always clear. One passage—``Cumulus clouds sometimes build up into towering masses called cumulus congestus, or swelling cumulus, which may turn into cumulonimbus clouds''—is superimposed on a blue-gray, cloud-covered landscape. But which kind of clouds are these? Another photo, in blue-black and white, shows what might be precipitation in the upper atmosphere, or rain falling on a darkened landscape, or...? Generally competent and certainly attractive, but not Simon's best. (Nonfiction. 10-12)
Pub Date: Aug. 1, 1993
ISBN: 0-688-10546-7
Page Count: 40
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1993
The straight-arrow son of a maybe-federal agent (he’s not quite sure) turns eco-terrorist in this first offering for kids from one of detective fiction’s funniest novelists. Fans of Hiaasen’s (Basket Case, 2001, etc.) novels for adults may wonder how well his profane and frequently kinky writing will adapt to a child’s audience; the answer is, remarkably well. Roy Eberhardt has recently arrived in Florida; accustomed to being the new kid after several family moves, he is more of an observer than a participant. When he observes a bare-footed boy running through the subdivisions of Coconut Grove, however, he finds himself compelled to follow and, later, to ally himself with the strange boy called Mullet Fingers. Meanwhile, the dimwitted but appealingly dogged Officer Delinko finds himself compelled to crack the case of the mysterious vandals at the construction site of a new Mother Paula’s All-American Pancake House—it couldn’t have anything to do with those cute burrowing owls, could it? The plot doesn’t overwhelm with surprises; even the densest readers will soon suss out the connections between Mullet Fingers, the owls, and Mother Paula’s steadfast denial of the owls’ existence. The fun lies in Hiaasen’s trademark twisted characters, including Dana Matherson, the class bully who regularly beats up on Roy and whose unwitting help Roy wickedly enlists; Beatrice Leep, Mullet Fingers’s fiercely loyal sister and co-conspirator; Curly, Mother Paula’s hilariously inept foreman; and Roy’s equally straight-arrow parents, who encourage him to do the right thing without exactly telling him how. Roy is rather surprisingly engaging, given his utter and somewhat unnatural wholesomeness; it’s his kind of determined innocence that sees through the corruption and compromises of the adult world to understand what must be done to make things right. If the ending is somewhat predictable, it is also entirely satisfying—Hoot is, indeed, a hoot. (Fiction. 10-14)
Pub Date: Sept. 10, 2002
ISBN: 0-375-82181-3
Page Count: 272
Publisher: Knopf
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 15, 2002
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