Readers may wish the words were food, so they could eat them up. And they may keep reading this series for just as long as...
Why live in Kansas when you can stay in Oz? Valente may well have wondered at Dorothy’s inexplicable decision.
At the end of The Girl Who Soared over Fairyland and Cut the Moon in Two (2013), 14-year-old September ran away from home to live in Fairyland. It was one of the best cliffhangers in recent fiction. Readers hoping for resolution will need to wait a little longer, as September hardly appears in this novel at all. As the title hints, it’s the story of a Changeling named Hawthorn, who takes the place of a human boy in Chicago. The book is full of Changelings of all stripes: trolls and humans and a girl made of wood. All of them, like September, feel out of place and far from home. Their stories are so sad and astonishing that even September—when she finally appears—may not be able to help them. If the ending feels a little abrupt, it’s because the story is so rich and complex that no book could resolve it. Even the minor supporting characters deserve novels of their own. Every page of this book contains at least one stunning sentence. Valente's descriptions of the human world make it sound like an exotic place, even when she just lists things to see: "diamonds and dinosaur bones and Canadian geese and the Cathedral of Notre Dame and ballpoint pens."
Readers may wish the words were food, so they could eat them up. And they may keep reading this series for just as long as people have been arguing about Oz. (Fantasy. 10-14)Pub Date: March 3, 2015
ISBN: 978-1-250-02349-0
Page Count: 240
Publisher: Feiwel & Friends
Review Posted Online: Dec. 5, 2014
Kirkus Reviews Issue: Jan. 15, 2015
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BOOK REVIEW
BOOK REVIEW
Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel,...
Adventure drags our heroine all over the map of fantasyland while giving her the opportunity to use her smarts.
Elisa—Princess Lucero-Elisa de Riqueza of Orovalle—has been chosen for Service since the day she was born, when a beam of holy light put a Godstone in her navel. She's a devout reader of holy books and is well-versed in the military strategy text Belleza Guerra, but she has been kept in ignorance of world affairs. With no warning, this fat, self-loathing princess is married off to a distant king and is embroiled in political and spiritual intrigue. War is coming, and perhaps only Elisa's Godstone—and knowledge from the Belleza Guerra—can save them. Elisa uses her untried strategic knowledge to always-good effect. With a character so smart that she doesn't have much to learn, body size is stereotypically substituted for character development. Elisa’s "mountainous" body shrivels away when she spends a month on forced march eating rat, and thus she is a better person. Still, it's wonderfully refreshing to see a heroine using her brain to win a war rather than strapping on a sword and charging into battle.
Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel, reminiscent of Naomi Kritzer's Fires of the Faithful (2002), keeps this entry fresh. (Fantasy. 12-14)Pub Date: Sept. 1, 2011
ISBN: 978-0-06-202648-4
Page Count: 432
Publisher: Greenwillow Books
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
A trilogy opener both rich and strange, if heavy at the front end.
Riggs spins a gothic tale of strangely gifted children and the monsters that pursue them from a set of eerie, old trick photographs.
The brutal murder of his grandfather and a glimpse of a man with a mouth full of tentacles prompts months of nightmares and psychotherapy for 15-year-old Jacob, followed by a visit to a remote Welsh island where, his grandfather had always claimed, there lived children who could fly, lift boulders and display like weird abilities. The stories turn out to be true—but Jacob discovers that he has unwittingly exposed the sheltered “peculiar spirits” (of which he turns out to be one) and their werefalcon protector to a murderous hollowgast and its shape-changing servant wight. The interspersed photographs—gathered at flea markets and from collectors—nearly all seem to have been created in the late 19th or early 20th centuries and generally feature stone-faced figures, mostly children, in inscrutable costumes and situations. They are seen floating in the air, posing with a disreputable-looking Santa, covered in bees, dressed in rags and kneeling on a bomb, among other surreal images. Though Jacob’s overdeveloped back story gives the tale a slow start, the pictures add an eldritch element from the early going, and along with creepy bad guys, the author tucks in suspenseful chases and splashes of gore as he goes. He also whirls a major storm, flying bullets and a time loop into a wild climax that leaves Jacob poised for the sequel.
A trilogy opener both rich and strange, if heavy at the front end. (Horror/fantasy. 12-14)Pub Date: June 7, 2011
ISBN: 978-1-59474-476-1
Page Count: 234
Publisher: Quirk Books
Review Posted Online: March 30, 2014
BOOK REVIEW
BOOK REVIEW
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