by Cécile Roumiguière ; illustrated by Simone Rea ‧ RELEASE DATE: Sept. 15, 2020
Trippy and touching.
This French import about a child’s nighttime coping mechanisms asks, why grow up too fast?
Young Nasla has decided she is old enough to sleep without her favorite plush animals and toys. But at night, she sees a yellow dot in the darkness and a shadow above the wardrobe, where her father put her toys. Could that dot be her toy turtle? And when the shadow moves, she discovers it’s Timboubou, her toy elephant, who appears as a flesh-and-blood elephant in Nasla’s nocturnal visions. Nasla repeatedly tries to talk herself into an independence that the illustrations make clear she is not ready to accept. She may remind herself that she’s a “big girl now” and that night is for sleeping (not playing), but she admits that she wants to dance with the Moon, who appears in three forms (yellow, red, and silver) on human legs, and she dreams of her old toys. The delightfully bizarre, dreamlike illustrations of the girl’s fantastical night visions possess a simple elegance. And there’s a poignancy to Nasla’s decision, after she imagines ominous, long-armed ghosts and giant squids and hears “breathing in the dark,” to cling to a small blanket her mother gave her when she was a baby (her “secret charm”)—to keep herself safe from the yellow eyes (their source is revealed as feline at the book’s close) and the eccentric and surreal creatures she sees in her mind’s eye. Nasla has pale skin and bright red hair.
Trippy and touching. (Picture book. 4-10)Pub Date: Sept. 15, 2020
ISBN: 978-1-61689-950-9
Page Count: 32
Publisher: Princeton Architectural Press
Review Posted Online: July 27, 2020
Kirkus Reviews Issue: Aug. 15, 2020
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by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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More In The Series
by Riel Nason ; illustrated by Byron Eggenschwiler
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BOOK REVIEW
by Riel Nason ; illustrated by Byron Eggenschwiler
by Daymond John ; illustrated by Nicole Miles ‧ RELEASE DATE: March 21, 2023
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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