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ONE & OTHER NUMBERS WITH ALEXANDER CALDER

From the First Concepts with Fine Artists series

This is a solid visual introduction to Alexander Calder for young art aficionados, but the text fails as a counting book as...

Using counting as a framework, this book invites viewers to look closely at works by sculptor Alexander Calder.

Calder’s art features prominently, with expansive and clear photographs set against a glossy white background. It’s a lovely, well-curated collection of Calder’s work, including kid-pleasing, colorful mobiles, representational bent-wire sculptures, and solid stabiles, a kind of immobile statuary. Unfortunately, on pages with a relatively high word count, the bold, all-caps type distracts from the delicate art. Written as a direct engagement to readers, this is ostensibly a concept book. However, that intent is lost as it alternates between a simple counting format and convoluted directives. The book works nicely where expectations are clear: “TWO PIECES FLYING HIGH!” Where the text abandons the concept-book formula, however, it leaves readers confused about how to approach the task. When counting balls on a mobile, the answer should ostensibly be “FOUR. BUT WHAT ABOUT THAT TINY RED ONE? OKAY: FIVE!” Frequent narrative interjections, such as “SLOW DOWN!” or “PHEW!” further disrupt the flow. A brief section in which the text is more open-ended, inviting readers to create their own numerical criteria, is more successful. The last page provides a brief Calder biography.

This is a solid visual introduction to Alexander Calder for young art aficionados, but the text fails as a counting book as it strains just a little too hard to be playful . (Board book. 3-6)

Pub Date: Oct. 30, 2017

ISBN: 978-0-7148-7510-1

Page Count: 30

Publisher: Phaidon

Review Posted Online: Nov. 21, 2017

Kirkus Reviews Issue: Jan. 1, 2018

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HAPPY EASTER FROM THE CRAYONS

Let these crayons go back into their box.

The Crayons return to celebrate Easter.

Six crayons (Red, Orange, Yellow, Esteban, who is green and wears a yellow cape, White, and Blue) each take a shape and scribble designs on it. Purple, perplexed and almost angry, keeps asking why no one is creating an egg, but the six friends have a great idea. They take the circle decorated with red shapes, the square adorned with orange squiggles “the color of the sun,” the triangle with yellow designs, also “the color of the sun” (a bit repetitious), a rectangle with green wavy lines, a white star, about which Purple remarks: “DID you even color it?” and a rhombus covered with blue markings and slap the shapes onto a big, light-brown egg. Then the conversation turns to hiding the large object in plain sight. The joke doesn’t really work, the shapes are not clear enough for a concept book, and though colors are delineated, it’s not a very original color book. There’s a bit of clever repartee. When Purple observe that Esteban’s green rectangle isn’t an egg, Esteban responds, “No, but MY GOSH LOOK how magnificent it is!” Still, that won’t save this lackluster book, which barely scratches the surface of Easter, whether secular or religious. The multimedia illustrations, done in the same style as the other series entries, are always fun, but perhaps it’s time to retire these anthropomorphic coloring implements. (This book was reviewed digitally.)

Let these crayons go back into their box. (Picture book. 3-5)

Pub Date: Feb. 7, 2023

ISBN: 978-0-593-62105-9

Page Count: 32

Publisher: Philomel

Review Posted Online: Oct. 11, 2022

Kirkus Reviews Issue: Nov. 1, 2022

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THE CRAYONS GIVE THANKS

Formulaic fare that will nevertheless charm devoted followers.

A few familiar friends explore gratitude.

Daywalt’s crayons have observed many holidays, from Christmas to Earth Day. On Thanksgiving, these anthropomorphic school supplies wax (pun intended) poetic about their favorite things to draw. “Blue is thankful for blueberries.” (The accompanying illustration depicts the stubby crayon leaping into a pile of the fruit.) Black, on a page topped by dark scribbles, “is thankful for night skies.” In an aside, Black adds, “Big, beautiful night skies I get to color in all by myself!” (Blue is perfectly fine with this.) Pink pipes up with “Three glorious words. Amazon. River. Dolphins”—which may spur readers to research these creatures. The tale turns a bit meta, too. Teal is thankful for family—both Blue and Green. Red, surrounded by hearts, is thankful for Neon Green Highlighter, who was accidentally dropped into the crayon box—a “dreamboat” for sure. Recognizable jokes from previous works make appearances; these callbacks will delight staunch fans, though others will find them tiring. Standard cheer and platitudes abound; the crayons are ultimately most grateful for each other.

Formulaic fare that will nevertheless charm devoted followers. (Picture book. 3-6)

Pub Date: Sept. 10, 2024

ISBN: 9780593690574

Page Count: 32

Publisher: Philomel

Review Posted Online: May 31, 2024

Kirkus Reviews Issue: July 1, 2024

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