The daughter of an engineer and the cousin of architect Pierre LeBrun, Julia Morgan was fascinated with how buildings worked from an early age. She graduated with an engineering degree from Berkeley in 1895, the only woman in her class, then went to France where she sketched and studied and worked at gaining admission to the École des Beaux-Arts (which made her take the entrance exam three times). She came back to California and had a successful career, most famously spending more than 20 years designing and building Hearst Castle (San Simeon). She did battle with tycoon William Randolph Hearst as he changed his mind and his priorities. The text is straightforward and a little dry, betraying little of the will it must have taken for Morgan to forge the career she wanted. Hyman’s soft but brilliant colors capture light, space and structure wonderfully but are less successful with figures and faces. Still, an interesting subject for a young biography, one who is not represented anywhere else for this age reader. (author’s note, San Simeon facts, bibliography) (Picture book/biography. 8-11)
Pub Date: Oct. 1, 2006
ISBN: 0-670-05964-1
Page Count: 40
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2006
paper 1-57505-370-5 In this valuable addition to the On My Own Biography series of easy readers, Lowery (Georgia O’Keeffe, 1996, etc.) renders an intriguing and lucid portrait of the man often referred to as the most celebrated artist of the 20th century. The book begins with young Picasso puzzling over math equations. Finding math difficult, he came up with an inventive alternative, swirling and bending numbers on the page until they became fanciful creations. As a boy, Picasso was often sent to a “cell” as punishment for his lack of academic focus, but there he found the long hours nothing but pleasant, doing just what he loved best, “drawing, drawing, drawing.” This book takes readers on a journey through the highlights of Picasso’s life, visiting his Blue Period, his Rose Period and lingering over cubism. Lowery also makes clear Picasso’s mercurial and tempestuous nature, describing his swings from flamboyant rage to ecstatic joy. She aptly demonstrates how Picasso’s art became an expression of his character and his character an extension of his art. In pleasing textures of oil on canvas and warm hues, Porter’s accompanying illustrations quite nicely echo the art of its subject. (photos, chronology) (Biography. 8-11)
Pub Date: Nov. 30, 1999
ISBN: 1-57505-331-4
Page Count: 44
Publisher: Carolrhoda
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1999
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
With but a light sprinkling of names and dates, Myers condenses his Malcolm X: By Any Means Necessary (1993) to picture- book length. Myers takes readers through his subject’s childhood and turbulent career, pausing for significant episodes (such as a white teacher’s suggestion that he’d be better off studying carpentry than law), supplying samples of his vivid rhetoric, and tracing his movement toward visions of a more inclusive, less violent revolution. Placing realistic portraits of X and other icons of the civil rights movement against swirling backdrops of faces and street scenes, Jenkins captures a sense of tumultuous times. What emerges most clearly is a portrait of a complex, compelling spokesman who was growing and changing up to the moment he was cut down. (Picture book/biography. 6-8)
Pub Date: Jan. 31, 2000
ISBN: 0-06-027707-6
Page Count: 32
Publisher: HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Nov. 15, 1999
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