by César Aira ; translated by Katherine Silver ‧ RELEASE DATE: Oct. 6, 2015
An outlandish but absorbing meditation on being alive among the dead.
Leave it to the avant-garde Aira (The Musical Brain, 2015, etc.) to combine a meditation on relevance with a full-on zombie apocalypse.
In this characteristically slim but linguistically cagey story, Argentinean novelist Aira combines a comically observant depiction of an awkward dinner with a truly bizarre account of the dead returning to life. The unnamed narrator is a 60-year-old confirmed bachelor who finds himself bankrupt, depressed, and living with his caustically judgmental mother. One night the man and his mother are invited to dinner by a friend, who regales them with stories of his travels, a tour of his fantastical trinkets, and over-the-top vignettes. “All the stories he told us could have been illustrated with story-book pictures,” says the narrator. “Even those he told in parentheses or as digressions, as when he explained why he couldn’t use the sage he grew in his own garden for the meal. It turned out that an 88-year-old dwarf had fallen on the planting bed from a great height and had crushed his delicate herbs. Was that not astonishing?” Returning home, his mother retires to bed while our narrator descends into his usual unemployed habit of surfing the television. “It didn’t even have the charm of the ridiculous,” Aira writes. He lands on a channel showing a young woman and her cameraman chasing adventure through the late night when they stumble upon reports that the dead are rising from the grave. The narrator plays out the gruesome scene, which only ends when the village’s elders start calling out the names of the dead, who return quietly to their graves. What does this mean? The author is coy on resolution but he does offer up a resounding note of hope. “You have to know how to see beyond the interests of survival and make the decision to give something to the world, because only those who give, receive,” he writes.
An outlandish but absorbing meditation on being alive among the dead.Pub Date: Oct. 6, 2015
ISBN: 978-0-8112-2108-5
Page Count: 96
Publisher: New Directions
Review Posted Online: July 14, 2015
Kirkus Reviews Issue: Aug. 15, 2015
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by César Aira ; translated by Katherine Silver
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by César Aira ; translated by Chris Andrews
BOOK REVIEW
by César Aira ; translated by Katherine Silver
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Genki Kawamura ; translated by Eric Selland ‧ RELEASE DATE: March 12, 2019
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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