Two unnerving, challenging stories about identity sparked by subtle delights and surprising ends.
A pair of eerie, minimalist novellas by the gifted Argentinean writer Aira (Ema the Captive, 2016, etc.).
Shades of The Twilight Zone and Quentin Tarantino’s cinematic blood baths linger over these two unnerving novellas, neither of which is anything like the other. In The Little Buddhist Monk, Aira introduces us to a diminutive but endlessly curious Korean monk who dreams of going to Europe or America. If there is a central motif to the work, it is a meditation on the nature of dreams. “Practical people say that dreams serve no purpose; but they can’t deny that at least they allow one to dream,” the monk muses, later remembering, “It costs nothing to dream.” In due course, the monk meets French photographer Napoleon Chirac and his cartoonist wife, Jacqueline Bloodymary, becoming their guide to the country’s shrines. It should come as no surprise to Aira’s readers that the monk, his dreams, and indeed his very reality turn out to be not what they appear. The follow-up novella, The Proof, finds Aira back in more familiar territory with a story set in Buenos Aires, but its conclusion is no less shocking. The story seems designed to shock, as two punk-rock lesbians brace timid Marcia in the street with a startling query, “Wannafuck?” In trying to figure out “Mao” and “Lenin,” Marcia finds herself enraptured in a dangerous game, as the two challenge and taunt her bourgeois assumptions about the world. “You are the nihilist,” Mao tells Marcia. “Could you really spend your time talking crap, worried about the kind of things that happen here, in this hamburger microcosm? All of this is accidental, nothing more than the springboard to launch us back to what is important.” By the time Marcia joins Mao and Lenin in launching a violent attack on a supermarket, she may or may not be experiencing Stockholm syndrome, but there’s no doubt she is fundamentally changed.
Two unnerving, challenging stories about identity sparked by subtle delights and surprising ends.Pub Date: May 30, 2017
ISBN: 978-0-8112-2112-2
Page Count: 178
Publisher: New Directions
Review Posted Online: March 6, 2017
Kirkus Reviews Issue: March 15, 2017
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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