Two unnerving, challenging stories about identity sparked by subtle delights and surprising ends.
A pair of eerie, minimalist novellas by the gifted Argentinean writer Aira (Ema the Captive, 2016, etc.).
Shades of The Twilight Zone and Quentin Tarantino’s cinematic blood baths linger over these two unnerving novellas, neither of which is anything like the other. In The Little Buddhist Monk, Aira introduces us to a diminutive but endlessly curious Korean monk who dreams of going to Europe or America. If there is a central motif to the work, it is a meditation on the nature of dreams. “Practical people say that dreams serve no purpose; but they can’t deny that at least they allow one to dream,” the monk muses, later remembering, “It costs nothing to dream.” In due course, the monk meets French photographer Napoleon Chirac and his cartoonist wife, Jacqueline Bloodymary, becoming their guide to the country’s shrines. It should come as no surprise to Aira’s readers that the monk, his dreams, and indeed his very reality turn out to be not what they appear. The follow-up novella, The Proof, finds Aira back in more familiar territory with a story set in Buenos Aires, but its conclusion is no less shocking. The story seems designed to shock, as two punk-rock lesbians brace timid Marcia in the street with a startling query, “Wannafuck?” In trying to figure out “Mao” and “Lenin,” Marcia finds herself enraptured in a dangerous game, as the two challenge and taunt her bourgeois assumptions about the world. “You are the nihilist,” Mao tells Marcia. “Could you really spend your time talking crap, worried about the kind of things that happen here, in this hamburger microcosm? All of this is accidental, nothing more than the springboard to launch us back to what is important.” By the time Marcia joins Mao and Lenin in launching a violent attack on a supermarket, she may or may not be experiencing Stockholm syndrome, but there’s no doubt she is fundamentally changed.
Two unnerving, challenging stories about identity sparked by subtle delights and surprising ends.Pub Date: May 30, 2017
ISBN: 978-0-8112-2112-2
Page Count: 178
Publisher: New Directions
Review Posted Online: March 6, 2017
Kirkus Reviews Issue: March 15, 2017
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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