A thoroughly enjoyable mystery with a wonderfully engaging protagonist.
Teenage detective Izzy Brown and her sidekick Elton Jones-Davies are back, investigating a cold-case murder in small-town North Carolina.
It’s 2009, and 16-year-old Izzy, her mother, and her brother have moved yet again—this time from Florida to Ashes in the Pines, a touristy locale in the North Carolina mountains. There, Izzy’s twin sibling, Axl, can take advantage of a prep school football scholarship. “The truth was,” narrates snarky Izzy, “we’d just moved our poverty north a few hundred miles to a milder climate.” Izzy gets a kitchen job at Fuller Farms, a summer camp catering to the very rich. Soon, her best friend unexpectedly shows up: Elton, a brilliant teen with autism. Back in 1992, Vance Fuller, the scion of the wealthy Fuller family, was killed—shot full of arrows. His father, Wellington, knows Izzy’s amazing reputation for crime-solving, so he hires her to find his son’s killer; he’s even arranged for Elton to join her. Specifically, he wants them to confirm that archery instructor Buster McClellan was the murderer. It turns out that there’s a plethora of other colorful suspects. Readers learn over time that Fuller Farms, a redoubt of Christian values, may not be what it appears to be. Izzy, as a character, is a wonderfully conflicted creation and not a Nancy Drew clone. For one thing, she has an opioid problem, facilitated by her mother’s shady boyfriend, Lenny Roach, and she’s constantly fighting to keep it under control. Suspects spring up like weeds after a rain, including three campers with whom Vance was entrusted before his death. The plot is truly dizzying; every time Izzy thinks she’s found the culprit, another pops up in their place. The real killer is found, of course, in a nail-biting conclusion. Gibbs is clearly having great fun, and Izzy is a wonderful teen curmudgeon (“Never mind…my father remains useless”). Another Izzy and Elton adventure is planned.
A thoroughly enjoyable mystery with a wonderfully engaging protagonist.Pub Date: May 22, 2023
ISBN: 9798985675757
Page Count: 378
Publisher: Borne Back Books
Review Posted Online: June 22, 2023
Kirkus Reviews Issue: Aug. 1, 2023
Review Program: Kirkus Indie
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
Raw, delicate, and deeply caring.
When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.
In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.
Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)Pub Date: May 6, 2025
ISBN: 9780063240858
Page Count: 720
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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