An interesting piece of SF canon but one that feels somewhat dated.
Montellier’s comics from the late 1970s and early '80s are reissued with new translations.
This collection gathers three comics (Wonder City, Shelter, and 1996) originally published in France’s Métal Hurlant and updates them with new English translations. (When they appeared in the American Heavy Metal magazine, “her dialogue was translated from straightforward French into such outlandish English that readers essentially had to translate it again,” according to translator Brock.) Wonder City is the story of a couple who meet and fall in love in a dystopian near-future New York before uncovering a terrible secret about the state-supplied birth control given to every woman. In Shelter, a group of strangers is trapped in an underground mall after a nuclear attack, and survivors live under the thumb of a tyrannical mall director. 1996 is a collection of shorter pieces; most are only a page or two long and echo the ideas and themes in the other two comics: totalitarian societies; oppression of women and people of color; violent suppression of protests, and more. The art consists of simple pen-and-ink drawings, done entirely in black and white except for some swaths of vibrant pink. A translator’s note by Brock and an interview with Montellier offer compelling and illuminating insights into the times in which these comics were written. However, as is often the case with older SF, what was once innovative is now commonplace—and, as such, these comics currently feel unsubtle and unsurprising. It’s a dystopian future but one viewed through the lens of the late 1970s with few 21st-century concerns. There are female protagonists—unusual for the time—but they’re constantly victimized by men or society or both; there are scenes of actual or implied sexual assault that feel exploitative. Although this collection can (and should) be appreciated as a piece of comic history, readers might be better served by translations of Montellier’s work from this century.
An interesting piece of SF canon but one that feels somewhat dated.Pub Date: June 27, 2023
ISBN: 9781681377407
Page Count: 200
Publisher: New York Review Comics
Review Posted Online: April 24, 2023
Kirkus Reviews Issue: May 15, 2023
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
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