A moving book that mixes horror and hope, disaster and good food, creating a poignant, fascinating read.
In an evocative, haunting memoir, a survivor of Cambodia’s “Year Zero” generation recounts how memories of her culinary heritage have sustained her.
Some tragedies are almost too large to describe. One of history’s most notorious was the genocide imposed by Pol Pot on Cambodia in the early 1970s, a project to destroy the societal structure and replace it with an agrarian society based on twisted Marxist principles. “The murderers among us would have us believe that history is slippery and unknowable,” she writes. “Insisting otherwise is an act of defiance.” Nguon and her family, half Vietnamese, were obvious targets, and they escaped to Saigon just in time for the arrival of the conquering North Vietnamese army. Nguon managed to scrape together a living with various jobs, although she often subsisted on small bowls of rice with some salt. Through the years of suffering and resilience, the author remembers the beautiful, subtle tastes of the Khmer dishes made by her mother, and she punctuates the book with recipes and the memories tied to them. Ngoun was shuffled between refugee camps before she was sent back to Cambodia, which was slowly emerging from chaos. Among other jobs, she worked as a cook for brothel workers, and she had the advantage of being literate and was good at making contacts. With the help of aid organizations, she was able to set up a center for helping Khmer women, teaching them silk weaving and providing literacy classes. Many parts of the text are heart-rendingly sad, but the author leavens the narrative with recipes for dishes like chicken lime soup and banh sung. Though the subject matter makes the book a sometimes difficult read, those who dive in will find it a remarkable and important piece of work.
A moving book that mixes horror and hope, disaster and good food, creating a poignant, fascinating read.Pub Date: Feb. 20, 2024
ISBN: 9781643753492
Page Count: 304
Publisher: Algonquin
Review Posted Online: Sept. 28, 2023
Kirkus Reviews Issue: Nov. 1, 2023
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
An engrossing and ominous chronicle, told by a master of the form.
Documenting perilous times.
In his most recent behind-the-scenes account of political power and how it is wielded, Woodward synthesizes several narrative strands, from the Jan. 6, 2021, insurrection and Hamas’ Oct. 7, 2023, attack on Israel to the 2024 presidential campaign. Woodward’s clear, gripping storytelling benefits from his legendary access to prominent figures and a structure of propulsive chapters. The run-up to Russia’s invasion of Ukraine is tense (if occasionally repetitive), as a cast of geopolitical insiders try to divine Vladimir Putin’s intent: “Doubt among allies, the public and among Ukrainians meant valuable time and space for Putin to maneuver.” Against this backdrop, U.S. Sen. Lindsey Graham implores Donald Trump to run again, notwithstanding the former president’s denial of his 2020 defeat. This provides unwelcome distraction for President Biden, portrayed as a thoughtful, compassionate lifetime politico who could not outrace time, as demonstrated in the June 2024 debate. Throughout, Trump’s prevarications and his supporters’ cynicism provide an unsettling counterpoint to warnings provided by everyone from former Joint Chief of Staff Mark Milley to Vice President Kamala Harris, who calls a second Trump term a likely “death knell for American democracy.” The author’s ambitious scope shows him at the top of his capabilities. He concludes with these unsettling words: “Based on my reporting, Trump’s language and conduct has at times presented risks to national security—both during his presidency and afterward.”
An engrossing and ominous chronicle, told by a master of the form.Pub Date: Oct. 15, 2024
ISBN: 9781668052273
Page Count: 448
Publisher: Simon & Schuster
Review Posted Online: Oct. 15, 2024
Kirkus Reviews Issue: Dec. 15, 2024
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