by Charise Mericle Harper & illustrated by Charise Mericle Harper ‧ RELEASE DATE: Sept. 1, 2001
This introduction to inventions delivered in cartoony spreads with clomping verse falls on its face. Harper’s text is so bogged down in rhyme and meter that it crosses into inaccuracy. In telling how Commodore Cornelius Vanderbilt sent back his french fries to Chef George Crum, Harper says “One day there was a customer. / Let’s say his name was Rick. / He ordered some of George’s fries / then said, “These are too thick!” (So Crum sliced them paper-thin and invented the potato chip). Harper’s choice to rename Vanderbilt “Rick” is perplexing (rhymes with thick?), and hardly forgivable for the small print on the verso that states “though all the facts have been verified to the best of the author’s ability, it should be noted that creative storytelling and imagination were also used to tell these tales.” Most kids will recognize the verses as awkwardly patched together (“Some inventions solve a problem, / like glasses to help you see, / Then there are others just for fun, / like skates or the Frisbee.”) Too bad, as the goofy paintings will appeal to the age group that is also fascinated by inventions of things like potato chips and chewing gum. Trivial “facts” noted in the margins will also appeal (e.g., under doughnuts, that “the most popular doughnut with kids is the chocolate frosted”), though nothing in the text does much to really explain how the item was invented. An acknowledged list of sources in a single paragraph is also located on the verso, in minute type. This seems designed to inspire rather than explain. Sadly, it does neither. (Nonfiction. 5-8)
Pub Date: Sept. 1, 2001
ISBN: 0-316-34725-6
Page Count: 32
Publisher: Megan Tingley/Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2001
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by Andrea Beaty ; illustrated by David Roberts ‧ RELEASE DATE: Sept. 3, 2013
Earnest and silly by turns, it doesn’t quite capture the attention or the imagination, although surely its heart is in the...
Rhymed couplets convey the story of a girl who likes to build things but is shy about it. Neither the poetry nor Rosie’s projects always work well.
Rosie picks up trash and oddments where she finds them, stashing them in her attic room to work on at night. Once, she made a hat for her favorite zookeeper uncle to keep pythons away, and he laughed so hard that she never made anything publicly again. But when her great-great-aunt Rose comes to visit and reminds Rosie of her own past building airplanes, she expresses her regret that she still has not had the chance to fly. Great-great-aunt Rose is visibly modeled on Rosie the Riveter, the iconic, red-bandanna–wearing poster woman from World War II. Rosie decides to build a flying machine and does so (it’s a heli-o-cheese-copter), but it fails. She’s just about to swear off making stuff forever when Aunt Rose congratulates her on her failure; now she can go on to try again. Rosie wears her hair swooped over one eye (just like great-great-aunt Rose), and other figures have exaggerated hairdos, tiny feet and elongated or greatly rounded bodies. The detritus of Rosie’s collections is fascinating, from broken dolls and stuffed animals to nails, tools, pencils, old lamps and possibly an erector set. And cheddar-cheese spray.
Earnest and silly by turns, it doesn’t quite capture the attention or the imagination, although surely its heart is in the right place. (historical note) (Picture book. 5-7)Pub Date: Sept. 3, 2013
ISBN: 978-1-4197-0845-9
Page Count: 32
Publisher: Abrams
Review Posted Online: July 16, 2013
Kirkus Reviews Issue: Aug. 1, 2013
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by Andrea Beaty ; illustrated by David Roberts
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by Charlotte Guillain ; illustrated by Yuval Zommer ‧ RELEASE DATE: May 1, 2017
An unusual offering for the young geology nerd.
This British import is an imaginatively constructed sequence of images that show a white boy examining a city pavement, clearly in London, and the sights he would see if he were able to travel down to the Earth’s core and then back again to the surface.
The geologic layers are depicted in 10 vertical spreads that require a 90-degree turn to be read and include endpapers, which open out, concertina fashion, to show the interior of the Earth to its core. Beneath the urban setting are drains, pipes, and artifacts of urban infrastructure. Below that, archaeological relics are revealed. An Underground train speeds by, and below it, a stalactite-encrusted cave yawns. Deep below the Earth’s crust, magma, the Earth’s mantle, and the inner core are shown. Turn the page to start going up again, back through the mantle to the crust, where precious minerals are revealed, then fossils, tree roots, and animal burrows, ending with the same boy in the English countryside. The painted, stenciled, and collaged illustrations are full-bleed, and the tones graduate pleasantly from light colors at the surface of the Earth to rich pinks, yellows, and oranges as readers near the Earth’s core. The text is informative, if lacking in poetry, including such nuggets as “earthworms are expert recyclers, eating dead plants in the soil.”
An unusual offering for the young geology nerd. (Informational picture book. 5-8)Pub Date: May 1, 2017
ISBN: 978-1-68297-136-9
Page Count: 20
Publisher: Words & Pictures
Review Posted Online: March 5, 2017
Kirkus Reviews Issue: March 15, 2017
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by Adam Guillain & Charlotte Guillain ; illustrated by Ali Pye
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by Charlotte Guillain ; illustrated by Yuval Zommer
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