The beloved Christmas classic is skillfully adapted for this simplified introduction to the tale, amplified by large-format art from the illustrator of A Series of Unfortunate Events. Helquist’s artistic style is an excellent match for the Dickensian world of mysterious spirits and spooky graveyards, and the illustrations are full of authentic Victorian details in costumes and settings. The extra-large trim size gives him plenty of room to depict the complex scenes of Scrooge’s travels through time and space, and the artist succeeds in making him a believable character who transitions from a grouchy, gray grump to a jovial fellow ready to enjoy life. This abridgement makes the original story accessible to a wide age range and would be a fine preparation for families preparing to attend a theatrical production of A Christmas Carol. (Picture book. 7-12)
Pub Date: Oct. 1, 2009
ISBN: 978-0-06-165099-4
Page Count: 40
Publisher: HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 15, 2009
A Christmas cozy, read straight or bit by bit through the season.
Neither snow nor rain nor mountains of yummy cheese stay the carrier of a letter to Santa.
So carelessly does 8-year-old Oliver stuff his very late letter to Santa into the mailbox that it falls out behind his back—leaving Winston, a “small, grubby white mouse” with an outsized heart, determined to deliver it personally though he has no idea where to go. Smith presents Winston’s Christmas Eve trek in 24 minichapters, each assigned a December “day” and all closing with both twists or cliffhangers and instructions (mostly verbal, unfortunately) for one or more holiday-themed recipes or craft projects. Though he veers occasionally into preciosity (Winston “tried to ignore the grumbling, rumbling noises coming from his tummy”), he also infuses his holiday tale with worthy values. Occasional snowy scenes have an Edwardian look appropriate to the general tone, with a white default in place but a few dark-skinned figures in view. Less-crafty children will struggle with the scantly illustrated projects, which run from paper snowflakes to clothespin dolls and Christmas crackers with or without “snaps,” but lyrics to chestnuts like “The 12 Days of Christmas” (and “Jingle Bells,” which is not a Christmas song, but never mind) at the end invite everyone to sing along.
A Christmas cozy, read straight or bit by bit through the season. (Fantasy. 7-10)Pub Date: Sept. 17, 2019
ISBN: 978-1-68412-983-6
Page Count: 176
Publisher: Silver Dolphin
Review Posted Online: July 13, 2019
Kirkus Reviews Issue: Aug. 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
In a snowbound Swiss village, Matti figures it’s a good day to make a gingerbread man. He and his mother mix a batch of gingerbread and tuck it in the oven, but Matti is too impatient to wait ten minutes without peeking. When he opens the door, out pops a gingerbread baby, taunting the familiar refrain, “Catch me if you can.” The brash imp races all over the village, teasing animals and tweaking the noses of the citizenry, until there is a fair crowd on his heels intent on giving him a drubbing. Always he remains just out of reach as he races over the winterscape, beautifully rendered with elegant countryside and architectural details by Brett. All the while, Matti is busy back home, building a gingerbread house to entice the nervy cookie to safe harbor. It works, too, and Matti is able to spirit the gingerbread baby away from the mob. The mischief-maker may be a brat, but the gingerbread cookie is also the agent of good cheer, and Brett allows that spirit to run free on these pages. (Picture book. 4-8)
Pub Date: Oct. 1, 1999
ISBN: 0-399-23444-6
Page Count: 32
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1999
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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