A unique, ageless Yuletide treasure for fans and collectors alike.
A perennial holiday favorite is immortalized with a singular trade edition of the original manuscript.
In association with the Morgan Library & Museum in Manhattan, which places the original manuscript of Charles Dickens’ timeless Christmas classic on public display each holiday season, this collectible reprint “represents the most faithful transcription to date.” The edition includes a foreword by acclaimed author Colm Tóibín, who adds factual commentary about Dickens’ writing inspiration and how the author designated the past, the present, and the future as the “unearthly protagonists” in his redemptive and morally purposeful story of Scrooge. Tóibín believes the tale itself, a “dark journey of the soul,” derives much of its power from its grim portrait of London. The book is introduced by the Morgan Library’s chief literary curator Declan Kiely, who explores Dickens’ determination in writing the story—while he suffered through a miserable cold—and the many pivotal personal (financial anxiety), professional (prior book sales), and political issues (his advocacy for social reform) affecting his life of “ecstatic restlessness” leading up to the drafting of the story in the fall of 1843. Kiely artfully describes the tale’s five theatrical “staves” and scrutinizes the author’s creative process and heavily edited composition. He also notes several minute details in Dickens’ writing style, the original manuscript’s trail of sale, and the intricate disbinding and preparatory processes taken to produce this special volume. Dickens’ original manuscript in his cursive penmanship—with some of the author’s spelling “peculiarities” corrected)—is featured opposite its verbatim translation. The storybook, impressively produced and crisply analyzed by both Tóibín and Kiely, harbors the potential to joyfully transform a burdensome year of “misery to merriness.”
A unique, ageless Yuletide treasure for fans and collectors alike.Pub Date: Nov. 1, 2016
ISBN: 978-0-393-60864-9
Page Count: 160
Publisher: Norton
Review Posted Online: Aug. 20, 2016
Kirkus Reviews Issue: Sept. 1, 2016
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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