SCROOGE

A double dose of Dickens, severely “adapted” in this graphic format but featuring illustrations that thicken the period atmosphere.

Though both paraphrased stories, originally published in French, show signs of careless translation in occasional typos and misquoted lyrics, it’s their plots that have taken the most punishment. Squiring the shaken Scrooge through time, Marley’s ghost is the only specter in “A Christmas Carol,” and in the lesser-known “A Remembrance of Mugby,” a kind drifter looking for a home adopts a child who is not, in the original, either fatherless or abandoned. The tales are nonetheless still coherent and bear both their sentiment and their lessons well. In Meyrand’s small sequential panels, the Victorian settings are evoked in fine but clear details of dress and décor. The artist ably captures mood with lighting that ranges from deep shadows to rich golden tones and sensitively depicts Scrooge’s remorse and inner transformation, as well as the fundamental decency of the unnamed protagonist of the other episode, in expertly drawn body language and changes of expression.

Adequate alternatives to the sometimes tediously wordy originals, though the lack of the Ghosts of Christmas Past, Present and Yet to Come seems a major loss.