by Charles R. Smith Jr. ; illustrated by Shane W. Evans ‧ RELEASE DATE: Jan. 13, 2015
A stellar achievement for the whole year—not just its shortest month.
Three pivotal Supreme Court cases, one amendment, and 25 great men and women make for memorable entries.
Smith opens the 28 days of Black History Month with Crispus Attucks, who was a slave and a patriot in Colonial Boston, and concludes with Barack Obama, the 44th president. Moving chronologically, he presents names from the armed forces, medicine, sports, performing arts, exploration, business and civil rights activism. The entries vary from poetry to prose, dramatically making the point that each is individually an important person or decision, vital to our understanding of African-American history. Althea Gibson and Arthur Ashe are represented in a poem for two voices. Harriet Tubman and Madame C.J. Walker are eulogized. Marian Anderson’s poem incorporates words from “My Country ’Tis of Thee.” Malcolm X is honored with an acrostic poem centered on “By any means necessary.” Nelson Mandela, the one international citizen, is accorded a chant. Brief paragraphs provide background notes. Day 29 is aimed at children, exhorting them to “add to history.” Evans’ digitally manipulated collage-and-oil artwork is brilliant, with bright colors and broad images that are powerful, poignant and heroic. Matthew Henson holds an American flag, Rosa Parks is in handcuffs, and the Little Rock Nine hold books while segregationists stand behind them with their fists raised.
A stellar achievement for the whole year—not just its shortest month. (author’s note, bibliography) (Informational picture book/poetry. 4-10)Pub Date: Jan. 13, 2015
ISBN: 978-1-59643-820-0
Page Count: 56
Publisher: Neal Porter/Roaring Brook
Review Posted Online: Oct. 21, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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by Chris Barton ; illustrated by Don Tate ‧ RELEASE DATE: April 1, 2015
A picture book worth reading about a historical figure worth remembering.
An honestly told biography of an important politician whose name every American should know.
Published while the United States has its first African-American president, this story of John Roy Lynch, the first African-American speaker of the Mississippi House of Representatives, lays bare the long and arduous path black Americans have walked to obtain equality. The title’s first three words—“The Amazing Age”—emphasize how many more freedoms African-Americans had during Reconstruction than for decades afterward. Barton and Tate do not shy away from honest depictions of slavery, floggings, the Ku Klux Klan, Jim Crow laws, or the various means of intimidation that whites employed to prevent blacks from voting and living lives equal to those of whites. Like President Barack Obama, Lynch was of biracial descent; born to an enslaved mother and an Irish father, he did not know hard labor until his slave mistress asked him a question that he answered honestly. Freed by the Emancipation Proclamation, Lynch had a long and varied career that points to his resilience and perseverance. Tate’s bright watercolor illustrations often belie the harshness of what takes place within them; though this sometimes creates a visual conflict, it may also make the book more palatable for young readers unaware of the violence African-Americans have suffered than fully graphic images would. A historical note, timeline, author’s and illustrator’s notes, bibliography and map are appended.
A picture book worth reading about a historical figure worth remembering. (Picture book biography. 7-10)Pub Date: April 1, 2015
ISBN: 978-0-8028-5379-0
Page Count: 50
Publisher: Eerdmans
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
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by Katheryn Russell-Brown ; illustrated by Frank Morrison ‧ RELEASE DATE: July 1, 2014
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)
Bewitched by the rhythms of jazz all around her in Depression-era Kansas City, little Melba Doretta Liston longs to make music in this fictional account of a little-known jazz great.
Picking up the trombone at 7, the little girl teaches herself to play with the support of her Grandpa John and Momma Lucille, performing on the radio at 8 and touring as a pro at just 17. Both text and illustrations make it clear that it’s not all easy for Melba; “The Best Service for WHITES ONLY” reads a sign in a hotel window as the narrative describes a bigotry-plagued tour in the South with Billie Holiday. But joy carries the day, and the story ends on a high note, with Melba “dazzling audiences and making headlines” around the world. Russell-Brown’s debut text has an innate musicality, mixing judicious use of onomatopoeia with often sonorous prose. Morrison’s sinuous, exaggerated lines are the perfect match for Melba’s story; she puts her entire body into her playing, the exaggerated arch of her back and thrust of her shoulders mirroring the curves of her instrument. In one thrilling spread, the evening gown–clad instrumentalist stands over the male musicians, her slide crossing the gutter while the back bow disappears off the page to the left. An impressive discography complements a two-page afterword and a thorough bibliography.
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)Pub Date: July 1, 2014
ISBN: 978-1-60060-898-8
Page Count: 40
Publisher: Lee & Low Books
Review Posted Online: June 3, 2014
Kirkus Reviews Issue: June 15, 2014
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