The book is written using three second-person present-tense narrators (for no apparent reason except that Stross,...
Opening salvo in a near-future Information War, from Stross (Glasshouse, 2006, etc.).
In 2018, in the People’s Republic of Scotland, Wayne Richardson, marketing director of Hayek Associates, a new dotcom startup involved with online virtual-reality gaming, calls the cops in a panic. He attempts to explain to dogged Sergeant Sue Smith that he’s been robbed by Orcs, who’ve raided the bank of VR game land Avalon Four. It emerges that Hayek acts as a stabilizer for the economies of numerous online reality games, and if word of the robbery leaks out, their share price could plummet. Meanwhile, Hayek’s backers, sensing an attempt at stock-price manipulation, send forensic accountant and gamer Elaine Barnaby—who, once she grasps the situation, insists on calling in programmer and games expert Jack Reed to assist. As Elaine and Jack probe the robbery, it becomes clear that something else is going on—as evidenced by an anonymous threat to kidnap Jack’s niece, then an attempt to kill them both. The world’s three information superpowers—Europe, China and India—are poised to go to war. Chinese Intelligence dreamed up a way of subverting the computing system of a medium-sized European nation using hackers and VR game-players. Elaine and Jack learn, however, that Hayek itself is a front for British Intelligence, which has used the VR/role-playing game SPOOKS to train a cadre of willing and utterly unsuspecting counter-operatives—including Jack and Elaine!
The book is written using three second-person present-tense narrators (for no apparent reason except that Stross, convincingly, can). Throughout, he displays a knack for turning outrageously improbable speculation into certainty in this fast-paced, skillfully constructed computational mirror-maze.Pub Date: Oct. 2, 2007
ISBN: 978-0-441-01498-9
Page Count: 352
Publisher: Ace/Berkley
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2007
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.
Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.
In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.Pub Date: Feb. 4, 2020
ISBN: 978-0-345-54857-3
Page Count: 592
Publisher: Del Rey/Ballantine
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
BOOK REVIEW
BOOK REVIEW
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