Smart, engaging and often deadpan funny.
A playful experimentalist probes the limits of fiction in this debut collection.
The post-collegiate braininess of many of Yu’s stories is like the music of the Talking Heads, making the familiar seem off-kilter. Among his mathematically audacious fictional strategies, “Problems for Self-Study” casts itself as a series of algebraic equations that attempt to account for the inevitable arc of a marriage, and “32.05864991%” introduces the field of “emotional statistics” and the precision of probability indicated by the word “maybe.” There’s a reversal of Kafka’s Metamorphosis in “Realism,” a story suggesting that what’s commonly accepted as literary realism is unrealistic convention. “The Man Who Became Himself” also takes a Kafkaesque turn in its comic examination of the essence of identity, when a man starts thinking of himself as “he” rather than “I,” as if he is somehow inhabiting the body of another. The closing “Autobiographical Raw Material Unsuitable for the Mining of Fiction” may or may not be autobiographical, may or may not be fiction, and its narrator, “I,” who reads and writes stories, may or may not be the author. In one of the most metaphorically compelling stories here, “Florence” takes the form of science fiction, set a million years from now, when centuries pass in the blink of an eye, and each human exists isolated on his own planet, communicating across the void. The title story might well be the weakest, though the cover it inspires could appeal to the expanding readership for graphic novels, as Yu details the plight of “Moisture Man,” whose powers fail to make the superhero cut. Within these 11 stories, Yu uses language to suggest what language cannot express, as he deals with themes such as the nature of distance, the essence of time and the illusion of self for readers whose attention span has been conditioned more by video games than classic novels.
Smart, engaging and often deadpan funny.Pub Date: Sept. 5, 2006
ISBN: 0-15-603081-0
Page Count: 192
Publisher: Harvest/Houghton Mifflin Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2006
BOOK REVIEW
BOOK REVIEW
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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