A high-spirited time-travel adventure.
In Laws’ SF novel, a group of unwitting time travelers must fight to survive—and maybe save the Earth itself.
On a far-distant planet, the Council of the Universe has decided on something called the Earthling Extermination Project, a measure meant to counter what the Council sees as the imminent danger posed to thousands of planets by Earth’s alarmingly unstable human population. On Earth itself, a group of guests are gathered at Baltimore’s Zelles Hotel for a charity event. Eight of these guests—trust fund babies Angus and Keiko, wacky ex-military man Carl, resourceful Kara, Buddhist Ellen, smart young former honor student Bernie, food bank volunteer Bailey, and bland and reliable Roger—find themselves trapped on an elevator that mysteriously takes them not to a floor of the hotel but a century into the future, where they quickly learn a few things. First, their disappearance is well-known to history, which has dubbed them the Charity Eight. Second, lots of people disappeared from elevators in 2025 and are now reappearing in 2125. And third, people in 2125 aren’t happy about that fact—they dub the time-displaced new arrivals terrorist aliens and subject known “vates” to random mob violence. The elevator that deposited the Charity Eight in the future also promised to return them to their own time in two weeks, meaning they somehow have to survive that long. But if the Council has its way, will Earth be doomed? It’s an energetic setup, and Laws largely fulfills the premise’s promise of intrigue and deadpan comedy. There’s some lazy writing (characters “hightail it” or are “thrust into the hot seat”), but the novel’s sharp dialogue and winning cast of contrasting characters more than compensates. The Charity Eight are a terrifically engaging mixed bag of personality traits, which makes for richly entertaining reading as their trials demand all their adaptability.
A high-spirited time-travel adventure.Pub Date: July 11, 2025
ISBN: 9780996133500
Page Count: 261
Publisher: Stroud House Publishing
Review Posted Online: July 30, 2025
Kirkus Reviews Issue: Sept. 15, 2025
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
This rip-roaring romp pivots between past and present and posits the future-altering power of love, hope, and forgiveness.
A time-toying spy romance that’s truly a thriller.
In the author’s note following the moving conclusion of her gripping, gleefully delicious debut novel, Bradley explains how she gathered historical facts about Lt. Graham Gore, a real-life Victorian naval officer and polar explorer, then “extrapolated a great deal” about him to come up with one of her main characters, a curly-haired, chain-smoking, devastatingly charming dreamboat who has been transported through time. Having also found inspiration in the sole extant daguerreotype of Gore, showing him to have been “a very attractive man,” Bradley wrote the earliest draft of the book for a cluster of friends who were similarly passionate about polar explorers. Her finished novel—taut, artfully unspooled, and vividly written—retains the kind of insouciant joy and intimacy you might expect from a book with those origins. It’s also breathtakingly sexy. The time-toggling plot focuses on the plight of a British civil servant who takes a high-paying job on a secret mission, working as a “bridge” to help time-traveling “expats” resettle in 21st-century London—and who falls hard for her charge, the aforementioned Commander Gore. Drama, intrigue, and romance ensue. And while this quasi-futuristic tale of time and tenderness never seems to take itself too seriously, it also offers a meaningful, nuanced perspective on the challenges we face, the choices we make, and the way we live and love today.
This rip-roaring romp pivots between past and present and posits the future-altering power of love, hope, and forgiveness.Pub Date: May 7, 2024
ISBN: 9781668045145
Page Count: 352
Publisher: Avid Reader Press
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
PERSPECTIVES
SEEN & HEARD
One small step, no giant leaps.
Weir (The Martian, 2014) returns with another off-world tale, this time set on a lunar colony several decades in the future.
Jasmine “Jazz” Bashara is a 20-something deliveryperson, or “porter,” whose welder father brought her up on Artemis, a small multidomed city on Earth’s moon. She has dreams of becoming a member of the Extravehicular Activity Guild so she’ll be able to get better work, such as leading tours on the moon’s surface, and pay off a substantial personal debt. For now, though, she has a thriving side business procuring low-end black-market items to people in the colony. One of her best customers is Trond Landvik, a wealthy businessman who, one day, offers her a lucrative deal to sabotage some of Sanchez Aluminum’s automated lunar-mining equipment. Jazz agrees and comes up with a complicated scheme that involves an extended outing on the lunar surface. Things don’t go as planned, though, and afterward, she finds Landvik murdered. Soon, Jazz is in the middle of a conspiracy involving a Brazilian crime syndicate and revolutionary technology. Only by teaming up with friends and family, including electronics scientist Martin Svoboda, EVA expert Dale Shapiro, and her father, will she be able to finish the job she started. Readers expecting The Martian’s smart math-and-science problem-solving will only find a smattering here, as when Jazz figures out how to ignite an acetylene torch during a moonwalk. Strip away the sci-fi trappings, though, and this is a by-the-numbers caper novel with predictable beats and little suspense. The worldbuilding is mostly bland and unimaginative (Artemis apartments are cramped; everyone uses smartphonelike “Gizmos”), although intriguing elements—such as the fact that space travel is controlled by Kenya instead of the United States or Russia—do show up occasionally. In the acknowledgements, Weir thanks six women, including his publisher and U.K. editor, “for helping me tackle the challenge of writing a female narrator”—as if women were an alien species. Even so, Jazz is given such forced lines as “I giggled like a little girl. Hey, I’m a girl, so I’m allowed.”
One small step, no giant leaps.Pub Date: Nov. 14, 2017
ISBN: 978-0-553-44812-2
Page Count: 320
Publisher: Crown
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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