BRING THE HOUSE DOWN

A negative review and a heedless one-night stand lead to the cancellation of a respected newspaper critic.

After dashing off a damning takedown of a one-woman show at the Edinburgh Fringe—part of the annual summer arts festival—attractive, promiscuous Alex Lyons thinks nothing of spending the night with the selfsame woman performer, Hayley Sinclair. The next morning, Hayley reads the review, realizes she’s slept with its author, and sets off down a path of revenge. Renaming her performance The Alex Lyons Experience, she tells her tale of outrage and invites others to contribute. The result is a hit show and a tsunami of attention that goes viral, branding Alex as “the poster boy for indiscriminate sexual trawling. The man with no moral compass.” Runcie’s up-to-date debut cleverly—and comically—spans the gender issues exposed here while also widening the lens to include other topics. Sophie Rigden, a junior colleague of Alex’s, is working and living alongside him in the newspaper’s Edinburgh rental apartment, becoming his witness and audience (and the book's narrator). Sophie is both a critic and an obituary writer, as well as the breadwinner in her relationship with Josh, an academic, and Arlo, their 14-month-old child. Her background is very different from Alex’s, he being the son of a “national treasure,” the actress Dame Judith Lyons. Nepotism, misogyny, motherhood, culture, criticism, love, and death all come under the spotlight as Alex’s career sinks and Sophie’s rises while their relationship shifts into perilous territory. The clarity of Runcie's narration and her ability to consider both sides of an argument render the deeper issues digestible while, on the surface, the partying, drinking, distinctive characters and their predicaments keep the wheels spinning. It all makes for an unusual, thought-provoking, multilayered read that book groups will enjoy debating.

A smart novel that carefully considers the shifting sands of life.