The difference pictures of a certain kind make to a text is graphically demonstrated here. Accompanying the song of a little bird "inside" Sarah—through summer, fall, and winter, and into the next spring—are not moody evocations but poster-like crystallizations, in the nursery-mode of the late-Twenties/early-Thirties, but with reflections of a latter-day sensibility in the space-filling composition and (sometimes) stagey design. The merest snatch of text brings an emblematic, frame-able picture—as when we see, with "The little bird sang all winter," a fat rabbit hunched down in the snow, and two smaller rabbits snuggled in an underground nest. Meanwhile, just winging into sight, is the little bird—who somehow turns up in picture after picture, even as his song is always inside Sarah's head. What he is singing is a song of the seasons—"of snowflakes and frosty windows and the sting of the wind"; "of silky new grass and the smell of wet earth"—which Sarah's parents can't hear; and then, in the spring, she meets a friend who hears the song too. With the strongly realized pictures, the melodious text becomes, indeed, a sort of background melody—which is one perfectly valid way for youngsters to take in a picture book. It's a safe bet, too, that they'll remember Tufari's decorative patterns and embellishments as what the song was all about.
Pub Date: April 1, 1982
ISBN: 0688008178
Page Count: 24
Publisher: Greenwillow Books
Review Posted Online: May 13, 2012
Kirkus Reviews Issue: April 1, 1982
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
BOOK REVIEW
BOOK REVIEW
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