Martin seldom goes deep, but the arc of growing self-awareness lends the story both gravity and an odd appeal.
A portrait of the artist as a moody teen.
“When someone suggested I was cool,” writes Martin (Mickey, 2016, etc.) by way of introduction, “I couldn’t help but think, What the fuck is your problem?” It’s a good organizing question as, at only 30, the author takes a hard look at her youth, chronicling the tumult and hardship that modern American life visits on the young, thanks mostly to the regrettable behavior of grown-ups who are scarcely grown themselves: "Seth and my mom fought a lot. Yelling and stomping around, mostly, but sometimes the fights became physically aggressive, and they would throw things or grab each other or make physical threats.” Readers might rightly be flummoxed, in any event, at a book that opens with a confession to having a first sexual experience at the age of 6, courtesy of a terrible slasher/horror film: “I attributed it to Chucky,” Martin writes matter-of-factly, “the evil sentient doll.” The author recounts a life alternately spent alone in her bedroom, making mix tapes and collages (“I knew I had something to say, but I didn’t trust myself to find the right way to say it yet”), and being wistfully, self-doubtfully in love with boys who didn’t know she existed. In other words, it’s the sort of thing with which any sensitive reader who has suffered through adolescence will feel sympathetic recognition. The story levels off in early adulthood, with still more confusions and failings and clumsy moments: “I mostly wanted to eat Jeppe’s burger, because Ian had ordered his with mayonnaise and I hated mayonnaise, but I couldn’t pass up the thrill of eating from two men’s burgers at the same time.” That episode ends on a note of furious discovery that is unexpected but entirely appropriate.
Martin seldom goes deep, but the arc of growing self-awareness lends the story both gravity and an odd appeal.Pub Date: Aug. 15, 2017
ISBN: 978-1-59376-677-1
Page Count: 224
Publisher: Soft Skull Press
Review Posted Online: June 4, 2017
Kirkus Reviews Issue: June 15, 2017
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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