In a refreshing departure from the norm, this Spanish import focuses on the grandparents’ relationship with each other, not with a child protagonist.
Balding Manuel is working in the garden when a passing car announces a dance with the “best musicians in the country.” A call and response between the elders ensues after Manuela insists she is not going—but starts attending to her appearance anyway. Each time Grandfather inquires about her preparations, she bemoans her looks: “I’m going to put mascara on my eyelashes. They are as stubby as a little fly’s feet.” He counters her, asserting that they are like “new-mown grass.” Manuel’s loving if not always romantic similes build cumulatively, inviting reader participation. Wobbly ink outlines suggest a tender fragility to these characters; light gray backgrounds create their skin tones. Color and humor abound in these compositions due to the playfulness of the onlooking farm creatures and the hilarious visual interpretations of the snappy narrative. Looking in the mirror, Manuela thinks she is “as ugly as a chicken with no feathers”; an inverted image depicts just that. The design is varied and sophisticated yet caters to a child’s naïve sensibilities, as when a tree grows horizontally out of the field. Ultimately, the only change to Grandmother’s appearance is Grandfather’s flower behind her ear; the two dance and flirt in the moonlight as intimate scenes from their past surround them.
Fun and feisty—these memorable characters are a delight to know and revisit.
(Picture book. 4-8)