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THE MAGIC HORSE OF HAN GAN

Hong illustrates this new, if familiarly premised, legend about a historical Tang Dynasty artist with big, splendidly accomplished paintings, brushed on brown silk in a traditional style. Little Han Gan is too poor to afford brushes and paper, but such is his talent that even a drawing in the dirt earns him the support of renowned painter Wang Wei. This is followed by admission to an academy and wide fame for painting horses so spirited that they are said to come to life. One night, a literal-minded warrior comes to beg for a steed, and Han Gan actually creates one that springs off the paper. After many battles, though, the horse tires of the blood and death, and so Han Gan wakes one day to find that a sixth has joined the five horses he painted the day before. The youthful but dignified painter, the glowering warrior and especially the succession of muscular, proud, subtly hued horses will have a powerful impact on young audiences. Shelve this plainly told tale next to such similar tales of artistic transformations as Elizabeth Partridge’s Kogi’s Mysterious Journey (2003), Margaret Leaf’s Eyes of the Dragon (1987) or the various renditions of “The Boy Who Drew Cats.” (author’s note) (Picture book. 7-9)

Pub Date: Dec. 1, 2006

ISBN: 1-59270-063-2

Page Count: 38

Publisher: Enchanted Lion Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 2006

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RIVER STORY

Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)

Pub Date: June 1, 2000

ISBN: 0-7636-0792-4

Page Count: 32

Publisher: Candlewick

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2000

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HORRIBLE HARRY AT HALLOWEEN

Every year since kindergarten, Harry’s Halloween costume has gotten scarier and scarier. What’s it going to be this year? He’s not telling. His classmates are all stunned when he shows up, not as some monster or a weird alien (well, not really)—but as neatly dressed Sgt. Joe Friday of Dragnet fame, wielding a notebook and out to get “just the facts, ma’am.” As she has in Harry’s 11 previous appearances (15, counting the ones his classmate Song Lee headlines), Kline (Marvin and the Mean Words, 1997, etc.) captures grammar-school atmosphere, personalities, and incidents perfectly, from snits to science projects gone hilariously wrong. She even hands Harry/Friday a chance to exercise his sleuthing abilities, with a supply of baby powder “fairy dust” gone mysteriously missing. As legions of fans have learned to expect, Harry comes through with flying colors, pinning down the remorseful culprit in 11 minutes flat. No surprises here, just reliable, child-friendly, middle-grade fare. Illustrations not seen. (Fiction. 7-9)

Pub Date: Sept. 1, 2000

ISBN: 0-670-88864-8

Page Count: 64

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2000

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