A rich and verdant revival of a classic.
Thorny secrets haunt a country house—a girl in an attic, a lost key, and an overgrown garden locked behind a hidden gate.
After the unexpected deaths of her parents, 15-year-old Mary Craven is uprooted from Toronto to live at her estranged uncle’s manor on Ontario’s Georgian Bay. Far from the city and surrounded by unfamiliar people, Mary tries to guard her insecurities. But her uncle’s young housekeeper, the charming and confident Flora, sees the loneliness behind Mary’s infamous temper. Drawn in by a yearning for family and captivated by stories about Flora’s free-spirited younger sister, Mary begins to explore and ask questions that lead her to mysteries surrounding her absent uncle’s estate: the presence of Olive, her chronically ill cousin who’s confined to her bed in the attic, and a locked garden whose gate can only be opened with a missing key. A fast friendship blooms between Mary and Olive, but when Rebecca, Olive’s domineering stepmother, returns, Mary risks exile to boarding school unless she abides by Rebecca’s rules. Writing in the third-person omniscient primarily from Mary’s perspective, Dimaline reimagines The Secret Garden in Métis territory. Mary, Rebecca, and Uncle Craven are white; most other characters, including Olive, are Métis. Racism, colonization, and a love of nature are central themes gracefully woven into the story. An aching and emotionally immersive queer romance, unhampered by homophobia, unfolds through lush imagery blended with poignant and elegant prose.
A rich and verdant revival of a classic. (Historical fiction. 13-18)Pub Date: Sept. 5, 2023
ISBN: 9781250842657
Page Count: 288
Publisher: Feiwel & Friends
Review Posted Online: July 13, 2023
Kirkus Reviews Issue: Aug. 1, 2023
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PERSPECTIVES
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging
Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.
The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)Pub Date: Sept. 20, 2016
ISBN: 978-0-316-27349-7
Page Count: 336
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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