A golden nugget.
This children’s book shows how the smallest act of kindness–a tree sheltering a boy through a cold windy night–leads to that kindness being returned tenfold.
Through words and images that are simple and straightforward, Price unfurls the tale of a downtrodden but caring aspen tree who became “king of the mountain forest.” The book begins when the tree was a little one and looked down upon, literally and figuratively, by the bigger scrub oaks and firs. However, the animals of the forest–the snowy white owl, rabbits, marmots, gray wolf, deer and elk, all conjured in bright watercolor brushstrokes–see the aspen and its heart-shaped leaves in a different light. They predict that one day the puny, nondescript tree will grow up to be the envy of all the others. After the passing of several seasons a boy arrives, shivering from the cold, prompting the aspen to rally his forest friends around to keep him warm under its branches. Fifteen years later, that boy returns a man and proclaims, “In the fall of the year, when winter approaches, your leaves will turn golden in color. Your descendents will share this mark of favor.” This is an ingenious ending made visible in the final picture of a mountain covered in lush gold-leaved trees, giving the small reader an actual metaphorical image of kindness–and how it expands and grows–to reflect upon. The book is slow-moving, with none of the thrilling adventure aspects that make up an inordinate amount of children’s books nowadays. Still, the beauty of paying it forward is rendered quite realistically. In an age of high-speed Internet and microwave meals, The Golden Aspen also serves as a pleasant reminder that the best things come to those who wait.
A golden nugget.Pub Date: Aug. 24, 2009
ISBN: 978-1-4389-6101-9
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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