Skip.
Sibling evacuees find a seemingly abandoned baby on a Yorkshire dale.
At the start of World War II, Lizzie, 10, and her 7-year-old brother, Peter, are sent from Hull into the countryside to be fostered with a nearly catatonic woman named Elsie. When Lizzie brings home an infant she finds lying on a blanket in a field, Elsie springs to life, thinking that the baby is her dead child returned. In actuality, the baby is a Roma child reluctantly left behind by her elder brother, Elijah, when brutish Bill forces him to go rabbit hunting. Within hours, many, including the village policeman, know the identity of the baby—whose mother is frantically searching for her—but all independently decide that the baby should stay with the mentally ill woman. Only young Lizzie seems to have any morality. Adults thwart her until, teamed with Elijah, she pulls off a complicated rescue. Illogical plot points and inconsistent characterization doom this debut. Why would Bill endanger an infant? Why would Elijah agree? And if prejudice toward the Roma is the reason the villagers don't return the baby, why don't they realize the baby herself is one? Blackford writes smoothly in third-person chapters that shift between Lizzie (in which Elijah and his people are called Gypsies) and Elijah (in which they are called Travelers), and her historical details are well-done, but she needs to find a better story.
Skip. (Historical fiction. 8-10)Pub Date: Jan. 12, 2016
ISBN: 978-0-544-57099-3
Page Count: 192
Publisher: HMH Books
Review Posted Online: Sept. 15, 2015
Kirkus Reviews Issue: Oct. 1, 2015
BOOK REVIEW
BOOK REVIEW
A classic sibling rivalry tale that still satisfies to the last drop.
In this graphic novel adaptation of Davies’ 2007 book, hurt feelings propel an intense business battle.
Fourth grader Evan can’t stand the thought of his brainy younger sister, Jessie, skipping a grade and joining his class this fall. Intelligent but emotionally immature, Jessie sometimes misses social cues and wishes she could be more like the gregarious Evan. These insecurities set the stage for a contest to see who can raise the most money selling lemonade this summer. Will Jessie’s book smarts beat Evan’s people skills? The beauty of this story lies in how each sibling’s strengths rub off on the other: Evan brushes up on his math, while Jessie tentatively makes a new friend. De la Vega’s polished cartoon artwork creatively translates Davies’ metaphors to a visual medium. When the author compares the “mean words inside Evan…fighting to get out” to bats, illustrations depict the furry animals emerging from beneath his shirt; Jessie’s negative thoughts take the form of a tiny purple creature irritatingly tapping her shoulder. Tender scenes depict flashbacks of the siblings supporting each other through their parents’ divorce. The book has business savvy to match the emotional beats (each chapter opens with an entrepreneurial definition that relates to the plot), and several scenes feature math problems that readers can solve for themselves. Evan and Jessie appear white; both have friends of color.
A classic sibling rivalry tale that still satisfies to the last drop. (business tips) (Graphic fiction. 8-10)Pub Date: April 29, 2025
ISBN: 9780063310407
Page Count: 208
Publisher: Clarion/HarperCollins
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to...
A group of talking farm animals catches wind of the farm owner’s intention to burn the barn (with them in it) for insurance money and hatches a plan to flee.
Bond begins briskly—within the first 10 pages, barn cat Burdock has overheard Dewey Baxter’s nefarious plan, and by Page 17, all of the farm animals have been introduced and Burdock is sharing the terrifying news. Grady, Dewey’s (ever-so-slightly) more principled brother, refuses to go along, but instead of standing his ground, he simply disappears. This leaves the animals to fend for themselves. They do so by relying on their individual strengths and one another. Their talents and personalities match their species, bringing an element of realism to balance the fantasy elements. However, nothing can truly compensate for the bland horror of the premise. Not the growing sense of family among the animals, the serendipitous intervention of an unknown inhabitant of the barn, nor the convenient discovery of an alternate home. Meanwhile, Bond’s black-and-white drawings, justly compared to those of Garth Williams, amplify the sense of dissonance. Charming vignettes and single- and double-page illustrations create a pastoral world into which the threat of large-scale violence comes as a shock.
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to ponder the awkward coincidences that propel the plot. (Animal fantasy. 8-10)Pub Date: July 7, 2015
ISBN: 978-0-544-33217-1
Page Count: 256
Publisher: HMH Books
Review Posted Online: March 31, 2015
Kirkus Reviews Issue: April 15, 2015
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
