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SUGAR BIRDS

An engrossing tale of survival and redemption in the Pacific Northwest.

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In this novel, the lives of two girls intersect in the woods of Washington state.

Ten-year-old Agate “Aggie” Hayes loves nothing more than climbing the massive fir trees that stand near her family’s home and sketching the bird nests she finds there. But her mother has instructed the girl to remain on the ground—climbing is too dangerous—and Aggie is wary of tempting her unstable parent’s anger. Sulking over a recent punishment, Aggie lights a small campfire that unintentionally torches the woods by her family’s cabin and burns it to the ground. Believing her parents dead in the blaze, Aggie flees into the wilderness, afraid of what might happen if she’s blamed for the crime. Meanwhile, 16-year-old Celia Burke is left by her father at her grandmother’s house for an indeterminate amount of time, far away from her friends back in Houston. She plans to skip town at the first opportunity, but when she hears of the fire at the Hayes home—and the fact that the daughter, Aggie, is missing—she can’t help but get invested. (Particularly after getting a peek at one of the other searchers, the handsome Cabot Dulcie.) As Aggie tries to stay alive and Celia attempts to find her, their stories become increasingly intertwined. Bostrom’s prose is propulsive and detailed, as here where Aggie cleans up after a scavenged lunch to avoid detection: “Rousing, she poured the rest of her seed into the bottle with the milk, pushed the waxy lid back into place, and scattered duff over her makeshift kitchen to erase it. No walkers or riders or dogs would stumble over her.” Aggie is a wonderfully magnetic character: a scrappy, stubborn preteen whose father has taught her to survive off the land. Celia balances out the tale with her suburban angst and sarcasm, but the supporting characters are equally strong, including the teenager’s bird biologist grandmother and Aggie’s autistic brother, Burnaby. The book contains an unexpected villain as well, who provides some added danger to the mix. While not always completely believable, the story is a true page-turner all the way to the end.

An engrossing tale of survival and redemption in the Pacific Northwest.

Pub Date: Aug. 3, 2021

ISBN: 978-1-64742-068-0

Page Count: 328

Publisher: She Writes Press

Review Posted Online: March 24, 2021

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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