Activists involved in equitable policing, judicial reform, and victims’ rights will find value in Neely’s account.
A sociologist examines murders of Black women that have gone unnoticed, unsolved, and forgotten.
Her account fueled by the murder of a 16-year-old girl in Detroit, Neely opens with appalling statistics: Black girls and women make up 7% of the U.S. population, but “they were three times more likely to die by homicide compared to white females.” The violence has a certain circularity: law enforcement agencies assume that those Black girls and women brought the crimes onto themselves through drug use or prostitution. Chillingly, they’re considered less than human, whence Neely’s title, “used as a classification in homicide cases comprising victims whom police view as having little to no value as human beings.” When the crimes are investigated, the police are often in a hurry to find a perpetrator—and often an innocent person goes to jail while the real perpetrators, often serial criminals and murderers, get away with it; knowing this, those real perpetrators have little incentive not to commit further crimes. In the case of that 16-year-old, decades passed before the true killer was tried and sentenced and the wronged man freed. “Had Detroit police valued the life of Michelle Kimberly Jackson, Eddie Joe Lloyd would not have lost eighteen years of his life to prison, the deaths of other potential victims would have been prevented, and the families of those victims would be spared the unbearable pain of losing a loved one,” Neely charges. That all this happened speaks, she adds, to systemic racism, a habit of mind that even Black officers buy into. Neely concludes with the thoughts that greater advocacy for those forgotten women is needed and that cold cases are often opened through citizen action and, more recently, podcasts that demand accountability.
Activists involved in equitable policing, judicial reform, and victims’ rights will find value in Neely’s account.Pub Date: Jan. 21, 2025
ISBN: 9780807004562
Page Count: 264
Publisher: Beacon Press
Review Posted Online: Nov. 9, 2024
Kirkus Reviews Issue: Dec. 15, 2024
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
A revelatory meditation on shattering journeys.
Bearing witness to oppression.
Award-winning journalist and MacArthur Fellow Coates probes the narratives that shape our perception of the world through his reports on three journeys: to Dakar, Senegal, the last stop for Black Africans “before the genocide and rebirth of the Middle Passage”; to Chapin, South Carolina, where controversy erupted over a writing teacher’s use of Between the World and Me in class; and to Israel and Palestine, where he spent 10 days in a “Holy Land of barbed wire, settlers, and outrageous guns.” By addressing the essays to students in his writing workshop at Howard University in 2022, Coates makes a literary choice similar to the letter to his son that informed Between the World and Me; as in that book, the choice creates a sense of intimacy between writer and reader. Interweaving autobiography and reportage, Coates examines race, his identity as a Black American, and his role as a public intellectual. In Dakar, he is haunted by ghosts of his ancestors and “the shade of Niggerology,” a pseudoscientific narrative put forth to justify enslavement by portraying Blacks as inferior. In South Carolina, the 22-acre State House grounds, dotted with Confederate statues, continue to impart a narrative of white supremacy. His trip to the Middle East inspires the longest and most impassioned essay: “I don’t think I ever, in my life, felt the glare of racism burn stranger and more intense than in Israel,” he writes. In his complex analysis, he sees the trauma of the Holocaust playing a role in Israel’s tactics in the Middle East: “The wars against the Palestinians and their Arab allies were a kind of theater in which ‘weak Jews’ who went ‘like lambs to slaughter’ were supplanted by Israelis who would ‘fight back.’” Roiled by what he witnessed, Coates feels speechless, unable to adequately convey Palestinians’ agony; their reality “demands new messengers, tasked as we all are, with nothing less than saving the world.”
A revelatory meditation on shattering journeys.Pub Date: Oct. 1, 2024
ISBN: 9780593230381
Page Count: 176
Publisher: One World/Random House
Review Posted Online: Aug. 2, 2024
Kirkus Reviews Issue: Sept. 1, 2024
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