Classics often pale in their retelling, but this homage to Ferrante’s epic shines with its own light.
Ferrante’s now-classic saga of an enduring yet complex female friendship shape-shifts once again, this time into a graphic novel.
In Lagani’s streamlined adaptation of the first of four Neapolitan novels, Ferrante’s original narrator, Lenù, does double duty as the (fictional) illustrator of the early years in her complicated lifelong friendship with Lila. “Her” drawings, maps, and illustrations trace the girls’ relationship from childhood through Lila’s marriage. Cerri, the actual illustrator, captures the girls’ environments and moods in gestural, atmospheric drawings that convey the menacing atmosphere of postwar Naples as well as the girls’ determination to move beyond the boundaries imposed on them by family, culture, and economic circumstance. This re-envisioned account necessarily telescopes some backstory and motivation but remains faithful to the broad outlines of the character development and Byzantine plot points found in the original. Readers unfamiliar with the works underlying this iteration of the story—Ferrante’s original books and the hit HBO miniseries from which Cerri drew visual inspiration—may find some incidents puzzling to parse, such as schoolgirl Lila’s apparent fall from an apartment window. (Ferrante’s legion of devoted fans will connect the dots between her father’s anger and Lila’s ejection from the window.) Aspects of the narrative that benefit from Cerri’s visual storytelling include the first episode of “dissolving boundaries” that will plague Lila throughout her life and Lenù’s competitive concerns about the differences between the girls’ maturing adolescent bodies. (Cerri previously illustrated Ferrante’s earlier “picture book,” the mordant The Beach at Night, but delivers less nightmarish visions here.) Goldstein, responsible for translating Ferrante’s prior works from Italian into English, continues that heroic undertaking with a sensitive translation of Lagani’s text consistent with the original.
Classics often pale in their retelling, but this homage to Ferrante’s epic shines with its own light.Pub Date: Oct. 10, 2023
ISBN: 9781609459468
Page Count: 256
Publisher: Europa Editions
Review Posted Online: Aug. 25, 2023
Kirkus Reviews Issue: Sept. 15, 2023
Even when King is not at his best, he’s still good.
Two killers are on the loose. Can they be stopped?
In this ambitious mystery, the prolific and popular King tells the story of a serial murderer who pledges, in a note to Buckeye City police, to kill “13 innocents and 1 guilty,” in order, we eventually learn, to avenge the death of a man who was framed and convicted for possession of child pornography and then killed in prison. At the same time, the author weaves in the efforts of another would-be murderer, a member of a violently abortion-opposing church who has been stalking a popular feminist author and women’s rights activist on a publicity tour. To tell these twin tales of murders done and intended, King summons some familiar characters, including private investigator Holly Gibney, whom readers may recall from previous novels. Gibney is enlisted to help Buckeye City police detective Izzy Jaynes try to identify and stop the serial killer, who has been murdering random unlucky citizens with chilling efficiency. She’s also been hired as a bodyguard for author and activist Kate McKay and her young assistant. The author succeeds in grabbing the reader’s interest and holding it throughout this page-turning tale of terror, which reads like a big-screen thriller. The action is well paced, the settings are vividly drawn, and King’s choice to focus on the real and deadly dangers of extremist thought is admirable. But the book is hamstrung by cliched characters, hackneyed dialogue (both spoken and internal), and motives that feel both convoluted and overly simplistic. King shines brightest when he gets to the heart of our darkest fears and desires, but here the dangers seem a bit cerebral. In his warning letter to the police, the serial killer wonders if his cryptic rationale to murder will make sense to others, concluding, “It does to me, and that is enough.” Is it enough? In another writer’s work, it might not be, but in King’s skilled hands, it probably is.
Even when King is not at his best, he’s still good.Pub Date: May 27, 2025
ISBN: 9781668089330
Page Count: 448
Publisher: Scribner
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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