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HOME AND EXILE

A welcome book for Achebe’s many admirers, as well as for all students of contemporary African cultures.

Bookish lectures in which the Nigerian Nobel Prize–winning novelist reflects on his life and work.

Achebe (Hopes and Impediments, 1989) is the renowned author of Things Fall Apart, the most widely read novel ever to come out of Africa. Here, in three lectures given in 1998 at Harvard, Achebe draws on his recollections of childhood and youth to describe the origins of that 1958 book, as well as of the Nigerian independence movement that was reaching its full flowering in the late ’50s. At several points Achebe recalls an undergraduate class in which he and his fellow students read Joyce Cary’s novel Mister Johnson, which was set in Nigeria and full of white-man’s-burden tropes; when one of those students rose and informed the teacher that “the only moment he had enjoyed in the entire book was when the Nigerian hero, Johnson, was shot to death by his British master,” Achebe realized that he was witnessing the birth of a “landmark rebellion” (one in which Nigerians would press for their own sense of national identity) and of a literature destined to be filled with better heroes than the “embarrassing nitwit” Johnson. Achebe’s tour of English literature highlights the outrageous interpretations of African culture that much of it contains (in books that depicted Africans as, in the words of one white author, “a people of beastly living, without a God, laws, religion”). Plainly as tired of multiculturalist appropriations of African cultures as of imperialist ones, Achebe urges his listeners to seek authentic voices, ones outside the confines of the imagined “universal civilization” of Europe and North America.

A welcome book for Achebe’s many admirers, as well as for all students of contemporary African cultures.

Pub Date: June 1, 2000

ISBN: 0-19-513506-7

Page Count: 110

Publisher: Oxford Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2000

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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